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od as witness, priest, and wedding-guest--then all prudery will be destroyed; there will be espousals everywhere, and we shall rise the same as the birds to the grandeur of nature. My criticism on books of the sort of George Sand's has then no value except in the vulgar order of things past, and therefore I trust she will not be offended by it. The admiration I profess for her ought to make her excuse these remarks, which have their origin in the infelicity of my age. Once I should have been more carried away by the Muses. Those daughters of heaven were in times past my lovely mistresses, now they are only my ancient friends. At evening they kept me company by the fireside, but they soon depart; for I go to bed early, and then they hasten to take their places around the hearth-stone of Madame Sand. Without doubt Madame Sand will in this path prove her intellectual omnipotence, but yet she will please less, because she will be less original. She will fancy she augments her power by venturing into the depths of these reveries, beneath which we deplorable common mortals are buried, and she will be mistaken. In fact she is much superior to this extravagance, this vagueness, this presumptuous balderdash. At the same time that a person endowed with a rare but too flexible faculty, should be guarded against follies of the higher order, he ought also to be warned that fantastic compositions, subjective or intimate, painting (so runs the jargon) are restricted; that their course is in youth; that its springs are drying up every instant, and that after a number of productions the writer finishes with nothing but weak repetitions. Is it very likely that Madame Sand will always find the same charm in what she now composes? Will not the merit and the enthusiasm of twenty lose their value in her mind as the works of my first days are depreciated in mine? There is nothing changeless except the labors of the antique muse, and they are sustained by a nobility of manners, a beauty of language, and a majesty of sentiments, which belong to the entire human species. The fourth book of the Eneid remains forever exposed to the admiration of men because it is suspended in heaven. The ships bearing the founder of the Roman Empire,--Dido, the foundress of Carthage, stabbing herself after having announced Hannibal: Exoriare aliquis nostius exossibus ulta.-- Love causing the rivality of Rome and Carthage to leap from the flame of his t
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