er; the four or five
miles are completed; and an enormous shout goes up for the winner,
whose name--of man and horse and colour--will be for days in
everybody's mouth. For his reward he will not only obtain the honour
of the palm-branch; he will receive presents in money, gold and silver
wreaths, clothes, and various articles of value. Socially he may be
but a slave or a person in base esteem; the occupation, however
reputable in the Greek portion of the empire, is not for a free-born
Roman; nevertheless, like the jockey who wins the Derby, he is the
hero of the moment.
[Illustration: FIG. 86--CHARIOT-RACE.]
Race follows race, with an interval for the midday meal. During that
time there will be interludes of acrobatic and other performances. One
rider, for example, will stand upright on the back of two or more
horses, and will spring continually from one to the other while they
are at the gallop. Most of the company will take their refreshments
where they are. When a man of some standing was reproached by Augustus
for this rather undignified proceeding, he replied: "That is all very
well for you, Sire, but your place is sure to be kept." We need not
proceed further into details concerning the "events" in the Circus. It
may however be worth while to add that the Romans cared nothing for
the modern form of race by jockeys on single horses.
The Circus is quite a different thing from the oval amphitheatre, a
structure for once of native Roman devising, without which no Roman
town could consider itself complete. Though the Colosseum was not yet
built, there already existed an amphitheatre in the Campus Martius,
and such buildings were to be found in all considerable towns which
contained a large Roman element. There is one, though of later date
than Nero, still to be seen in fair preservation at Verona; the
well-known amphitheatre at Pompeii was in full use in the year 64, and
other cities--Capua, Puteoli, Nimes, Antioch, or Caesarea--were
provided with the joys of the gladiatorial shows and the beast-fight.
Only in the thoroughly Greek or thoroughly Oriental part of the empire
was the amphitheatre absent. Where there was no fixed building of
stone or wood, a temporary structure was erected and a company of
gladiators would perform in the place at the expense of some local
officer or of some wealthy citizen with social ambitions. Whatever may
be thought of the Greeks in other respects, they felt no liking, but
only an
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