d the ordeal of nearly
three centuries. He was also the author of the music of the Indian Queen,
Arthur and Emmeline, and a variety of other pieces. It may be observed
that these names are not clustering, but solitary, appearing at long
intervals. Locke, the producer of the music in the incantation scene in
Macbeth, as now sung and played, was the contemporary of Purcell. Dr. Arne
next appears, the famous composer of Artaxerxes. Bishop, who has
identified himself with almost every thing valuable in modern composition,
is well known, as are also his works. It would be impossible to omit the
name of Handel, the great _thorough bass_ of musical composition, to whom
Mozart confessed that every subsequent composer had been signally indebted.
He is, by adoption and patronage, the property of the English school. It
may not be unacceptable to add, that he composed, besides his other
numerous works, one hundred and fifty-eight pieces, of which thirteen were
Italian operas, many of which were successful.[11] The famous contest
between Handel and Buononcini in Italian composition was decided in favour
of the former by public acclamation. Those who are sceptical on the score
of his composing in Italian, are referred to the well-known air, 'Lord,
remember David,' which is to be found in the opera of Sosarmes, commencing
with the words, 'Rendi il sereno.'"[12]

The list of operas recently performed in New York might put our patent
theatres a little to the blush, at least on the score of variety. Rokeby;
the Tempest; John of Paris; the Barber of Seville; the Caliph of Bagdad,
performed, and the Freischuetz in preparation, at _one theatre_. The
principal female singers are all English--Mrs. Austin, Mrs. Knight
(formerly Miss Povey), and Madame Feron. The American editor's remarks on
the two last named ladies, and on ballad singing in general, are so much
in accordance with our own opinions, except the praise he bestows on
Madame Feron's execution, that we cannot resist the temptation of
extracting them.

"Mrs. Knight's worst ballads, aided by a drum beaten by Mr. Knight, seem
to please the audience better than Mad. Feron's bravuras; indeed, we think
the manager would gain more by the adoption of Mrs. K. than Madame F. We
have remarked a listlessness on the part of Madame F., doubtlessly in
consequence of feeling that her best efforts are not appreciated by the
audience. We are not an ardent admirer of that lady's style: she has
eviden