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hemselves. They are formed of what is called "Papa." This is a blue, calcareous clay often found with limestone, which it somewhat resembles. The Maori word "papa" is applied to any broad, smooth, flattish surface, as a door, or to a slab of rock. The smooth, slab-like, papa cliffs are often curiously marked--tongued and grooved, as with a gouge, channelled and fluted. Sometimes horizontal lines seem to divide them into strata. Again, the lines may be winding and spiral, so that on looking at certain cliffs it might be thought possible that the Maoris had got from them some of their curious tattoo patterns. Though pale and delicate, the tints of the rock are not their least beauty. Grey, yellow, brown, fawn, terra-cotta, even pale orange are to be noted. No photograph can give the charm of the drapery that clothes these cliffs. Photographs give no light or colour, and New Zealand scenery without light and colour is Hamlet with Hamlet left out. How could a photograph even hint at the dark, glossy green of the glistening karaka leaves, the feathery, waving foliage of the lace bark, or the white and purple bloom of the koromiko? How could black-and-white suggest the play of shade and shine when, between flying clouds, the glint of sunlight falls upon the sword-bayonet blades of the flax, and the golden, tossing plumes of the toe-toe, the New Zealand cousin of the Pampas grass? Add to this, that more often than the passenger can count as he goes along the river, either some little rill comes dripping over the cliff, scattering the sparkling drops on moss and foliage, or the cliffs are cleft and, as from a rent in the earth, some tributary stream gushes out of a dark, leafy tunnel of branches. Sometimes, too, the cliffs are not cleft, but the stream rushes from their summit, a white waterfall veiling the mossy rocks. Then there are the birds. In mid-air is to be seen the little fan-tail, aptly named, zig-zagging to and fro. The dark blue tui, called parson bird, from certain throat-feathers like white bands, will sing with a note that out-rivals any blackbird. The kuku, or wild pigeon, will show his purple, copper-coloured, white and green plumage as he sails slowly by, with that easy, confiding flight that makes him the cheap victim of the tyro sportsman. The grey duck, less easy to approach, rises noisily before boat or canoe comes within gunshot. The olive and brown, hoarse-voiced ka-ka, a large, wild parrot, and green, c
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