onlight
walks you had together----"
"Not gloated. Just mentioned them."
"So now you understand why, as soon as I can get you clear of this damned
bench, I am going to tear you limb from limb. Why they have these bally
benches in gardens," said Tuppy discontentedly, "is more than I can see.
They only get in the way."
He ceased, and, grabbing out, missed me by a hair's breadth.
It was a moment for swift thinking, and it is at such moments, as I have
already indicated, that Bertram Wooster is at his best. I suddenly
remembered the recent misunderstanding with the Bassett, and with a flash
of clear vision saw that this was where it was going to come in handy.
"You've got it all wrong, Tuppy," I said, moving to the left. "True, I
saw a lot of Angela, but my dealings with her were on a basis from start
to finish of the purest and most wholesome camaraderie. I can prove it.
During that sojourn in Cannes my affections were engaged elsewhere."
"What?"
"Engaged elsewhere. My affections. During that sojourn."
I had struck the right note. He stopped sidling. His clutching hand fell
to his side.
"Is that true?"
"Quite official."
"Who was she?"
"My dear Tuppy, does one bandy a woman's name?"
"One does if one doesn't want one's ruddy head pulled off."
I saw that it was a special case.
"Madeline Bassett," I said.
"Who?"
"Madeline Bassett."
He seemed stunned.
"You stand there and tell me you were in love with that Bassett
disaster?"
"I wouldn't call her 'that Bassett disaster', Tuppy. Not respectful."
"Dash being respectful. I want the facts. You deliberately assert that
you loved that weird Gawd-help-us?"
"I don't see why you should call her a weird Gawd-help-us, either. A very
charming and beautiful girl. Odd in some of her views perhaps--one does
not quite see eye to eye with her in the matter of stars and rabbits--but
not a weird Gawd-help-us."
"Anyway, you stick to it that you were in love with her?"
"I do."
"It sounds thin to me, Wooster, very thin."
I saw that it would be necessary to apply the finishing touch.
"I must ask you to treat this as entirely confidential, Glossop, but I
may as well inform you that it is not twenty-four hours since she turned
me down."
"Turned you down?"
"Like a bedspread. In this very garden."
"Twenty-four hours?"
"Call it twenty-five. So you will readily see that I can't be the chap,
if any, who stole Angela from you at Cannes.
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