n and see the whole
little plain and imagine it gay with tents and moving people.
All these things are interesting to those who like the old Greek life.
But most people make the long journey only to see Hermes. In the museum,
in a little room all alone, he stands, always calm and lovable, always
dreaming of something beautiful, always half smiling at the coaxing
baby.
PICTURES OF OLYMPIA
ENTRANCE TO STADION.
This was not the gate where Charmides entered. This entrance was
reserved for the judges, the competitors, and the heralds. Inside there
were seats for forty-five thousand people. On one side the hill made a
natural slope for seats. But on the other sides a ridge of earth had to
be built up. The track was about two hundred yards long. Only the two
ends have been excavated. The rest still lies deep under the sand.
GYMNASIUM.
Here Creon and the other boys spent a month in training before the
games. The gymnasium had a covered portico as long as the track in the
stadion, where the boys could run in bad weather. A Greek boy of to-day
is playing on his shepherd's pipes in the foreground, and they are the
same kind of pipes on which the old Greeks played.
BOYS IN GYMNASIUM.
From a vase painting. They are wrestling, jumping with weights, throwing
the spear, throwing the discus, while their teachers watch them. One man
is saying, "A beautiful boy, truly."
THE TEMPLE OF ZEUS.
When we see a picture of fallen broken columns lying about a field
in disorder, we try to learn how the original building looked and to
imagine it in all its beauty. This, men believe, is the way the Temple
of Zeus looked. The figures in the pediment were all of Parian marble.
In the center stands Zeus himself. A chariot race is about to be run,
and the contestants stand on either side of Zeus. Zeus gave the victory
to Pelops, and Pelops became husband of Hippodameia, and king of Pisa,
and founded the Olympic Games. These games were held every fourth year
for more than a thousand years.
Note: This and the following plates of the Labors of Herakles and the
statue of Victory, were photographed from Curtius and Adler's
"Olympia: Die Ergebnisse der von dem Deutschen Reich Veranstalteten
Ausgrabung," etc. This is one of the most beautiful books ever made
for a buried city.
Boys and girls who can reach the Metropolitan Museum Library should not
miss it. It is in many volumes, each almost as large as the top
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