ethodically folds the five finished pairs of
trousers into a pile. LEMMY begins playing. A smile comes on
the face of MRS. L, who is rubbing her fingers. LITTLE AIDA,
trousers over arm, goes and stares at LEMMY playing.]
LEMMY. [Stopping] Little Aida, one o' vese dyes yer'll myke an
actress. I can see it in yer fyce!
[LITTLE AIDA looks at him wide-eyed.]
MRS. L. Don't 'ee putt things into 'er 'ead, Bob!
LEMMY. 'Tyn't 'er 'ead, old lydy--it's lower. She wants feedin'--
feed 'er an' she'll rise. [He strikes into the "Machichi"] Look at
'er naow. I tell yer there's a fortune in 'er.
[LITTLE AIDA has put out her tongue.]
MRS. L. I'd saner there was a gude 'eart in 'er than any fortune.
L. AIDA. [Hugging her pile of trousers] It's thirteen pence three
farthin's I've got to bring yer, an' a penny aht for me, mykes twelve
three farthin's: [With the same little hop and sudden smile] I'm
goin' to ride back on a bus, I am.
LEMMY. Well, you myke the most of it up there; it's the nearest
you'll ever git to 'eaven.
MRS. L. Don' yu discourage 'er, Bob; she'm a gude little thing, an't
yu, dear?
L. AIDA. [Simply] Yus.
LEMMY. Not 'arf. Wot c'her do wiv yesterdy's penny?
L. AIDA. Movies.
LEMMY. An' the dy before?
L. AIDA. Movies.
LEMMY. Wot'd I tell yer, old lydy--she's got vicious tystes, she'll
finish in the theayter yep Tyke my tip, little Aida; you put every
penny into yer foundytions, yer'll get on the boards quicker that wy.
MRS. L. Don' yu pay no 'eed to his talk.
L. AIDA. I daon't.
Ice. Would yer like a sip aht o' my mug?
L. AIDA. [Brilliant] Yus.
MRS. L. Not at yore age, me dear, though it is teetotal.
[LITTLE AIDA puts her head on one side, like a dog trying to
understand.]
LEMMY. Well, 'ave one o' my gum-drops.
[Holds out a paper.]
[LITTLE AIDA brilliant, takes a flat, dark substance from it,
and puts it in her mouth.]
Give me a kiss, an' I'll give yer a penny.
[LITTLE AIDA shakes her head, and leans out of window.]
Movver, she daon't know the valyer of money.
MRS. L. Never mind 'im, me dear.
L. AIDA. [Sucking the gum-drop--with difficulty] There's a taxi-cab
at the corner.
[LITTLE AIDA runs to the door. A figure stands in the doorway;
she skids round him and out. THE PRESS comes in.]
LEMMY. [Dubiously] Wat-oh!
PRESS. Mr. Lemmy?
LEMMY. The syme.
PRESS. I'm from th
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