sympathy, the pious emperor
of the East gently admonished Justina, that the guilt of heresy was
sometimes punished in this world, as well as in the next; and that the
public profession of the Nicene faith would be the most efficacious step
to promote the restoration of her son, by the satisfaction which it must
occasion both on earth and in heaven. The momentous question of peace or
war was referred, by Theodosius, to the deliberation of his council; and
the arguments which might be alleged on the side of honor and justice,
had acquired, since the death of Gratian, a considerable degree of
additional weight. The persecution of the Imperial family, to which
Theodosius himself had been indebted for his fortune, was now aggravated
by recent and repeated injuries. Neither oaths nor treaties could
restrain the boundless ambition of Maximus; and the delay of vigorous
and decisive measures, instead of prolonging the blessings of peace,
would expose the Eastern empire to the danger of a hostile invasion. The
Barbarians, who had passed the Danube, had lately assumed the character
of soldiers and subjects, but their native fierceness was yet untamed:
and the operations of a war, which would exercise their valor, and
diminish their numbers, might tend to relieve the provinces from
an intolerable oppression. Notwithstanding these specious and solid
reasons, which were approved by a majority of the council, Theodosius
still hesitated whether he should draw the sword in a contest which
could no longer admit any terms of reconciliation; and his magnanimous
character was not disgraced by the apprehensions which he felt for the
safety of his infant sons, and the welfare of his exhausted people. In
this moment of anxious doubt, while the fate of the Roman world depended
on the resolution of a single man, the charms of the princess Galla most
powerfully pleaded the cause of her brother Valentinian. [75] The heart
of Theodosius wa softened by the tears of beauty; his affections were
insensibly engaged by the graces of youth and innocence: the art of
Justina managed and directed the impulse of passion; and the celebration
of the royal nuptials was the assurance and signal of the civil war. The
unfeeling critics, who consider every amorous weakness as an indelible
stain on the memory of a great and orthodox emperor, are inclined,
on this occasion, to dispute the suspicious evidence of the historian
Zosimus. For my own part, I shall frankly con