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pletely dismayed the craftsmen and the arts both in Rome and in Florence; and while Adrian VI was alive Michelagnolo gave his attention in Florence to the tomb of Julius. But after the death of Adrian Clement VII was elected, who was no less desirous than Leo and his other predecessors to leave his fame established by the arts of architecture, sculpture, and painting. At this time, which was the year 1525, Giorgio Vasari was taken as a little boy to Florence by the Cardinal of Cortona, and placed with Michelagnolo to learn art. But Michelagnolo was then summoned to Rome by Pope Clement VII, who had made a beginning with the library of S. Lorenzo and also the new sacristy, in which he proposed to place the marble tombs that he was having made for his forefathers; and he resolved that Vasari should go to work with Andrea del Sarto until he should himself be free again, and went in person to Andrea's workshop to present him. Michelagnolo departed for Rome in haste, harassed once again by Francesco Maria, Duke of Urbino, the nephew of Pope Julius, who complained of him, saying that he had received sixteen thousand crowns for the above-named tomb, yet was living a life of pleasure in Florence; and he threatened in his anger that, if Michelagnolo did not give his attention to the work, he would make him rue it. Having arrived in Rome, Pope Clement, who wished to make use of him, advised him to draw up his accounts with the agents of the Duke, believing that after all that he had done he must be their creditor rather than their debtor; and so the matter rested. After discussing many things together, they resolved to finish completely the library and new sacristy of S. Lorenzo in Florence. Michelagnolo therefore departed from Rome, and raised the cupola that is now to be seen, causing it to be wrought in various orders of composition; and he had a ball with seventy-two faces made by the goldsmith Piloto, which is very beautiful. It happened, while Michelagnolo was raising the cupola, that he was asked by some friends, "Should you not make your lantern very different from that of Filippo Brunelleschi?" And he answered them, "Different it can be made with ease, but better, no." He made four tombs in that sacristy, to adorn the walls and to contain the bodies of the fathers of the two Popes, the elder Lorenzo and his brother Giuliano, and those of Giuliano, the brother of Leo, and of Duke Lorenzo, his nephew. And since he wished
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