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. Spirito he executed an altar-piece of the Madonna holding in her arms the Child, who is marrying the above-mentioned S. Catharine of Siena, and at the sides S. Bernardino, S. Francis, S. Jerome, and S. Catharine the Virgin-Martyr, with S. Peter and S. Paul upon some marble steps in front, on the polished surface of which he counterfeited with great art some reflections of the colour of their draperies. This work, which was executed with fine judgment and design, brought him much honour, as did also some little figures painted on the predella of the picture, in which is S. John baptizing Christ, a King causing the wife and children of S. Gismondo to be thrown into a well, S. Dominic burning the books of the heretics, Christ presenting to S. Catharine of Siena two crowns, one of roses and the other of thorns, and S. Bernardino of Siena preaching on the Piazza of Siena to a vast multitude. [Illustration: DOMENICO BECCAFUMI: S. CATHARINE BEFORE THE CRUCIFIX (_Siena_: _Pinacoteca_, 420. _Canvas_)] Next, by reason of the fame of these works, there was allotted to Domenico an altar-piece that was to be placed in the Carmine, in which he had to paint a S. Michael doing vengeance on Lucifer; and he, being full of fancy, set himself to think out a new invention, in order to display his talent and the beautiful conceptions of his brain. And so, seeking to represent Lucifer and his followers driven for their pride from Heaven to the lowest depths of Hell, he began a shower of nude figures raining down, which is very beautiful, although, from his having taken too great pains with it, it appears if anything rather confused. This altar-piece, which remained unfinished, was taken after the death of Domenico to the Great Hospital and placed at the top of some steps near the high-altar, where it is still regarded with marvel on account of some very beautiful foreshortenings in the nudes. In the Carmine, where this picture was to have been set up, was placed another, in the upper part of which is counterfeited a God the Father above the clouds with many Angels round Him, painted with marvellous grace; and in the centre of the picture is the Angel Michael in armour, flying, and pointing to Lucifer, whom he has driven to the centre of the earth, where there are burning buildings, rugged caverns, and a lake of fire, with Angels in various attitudes, and nude figures of lost souls, who are swimming with different gestures of agony in th
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