was laid upon the labor leader's shoulder, and there
rang through the hall in Wimp's clear, decisive tones the words: "Tom
Mortlake, I arrest you for the murder of Arthur Constant!"
CHAPTER IX.
For a moment there was an acute, terrible silence. Mortlake's face was
that of a corpse; the face of the dead man at his side was flushed with
the hues of life. To the overstrung nerves of the onlookers, the
brooding eyes of the picture seemed sad and stern with menace, and
charged with the lightnings of doom.
It was a horrible contrast. For Wimp, alone, the painted face had
fuller, more tragical, meanings. The audience seemed turned to stone.
They sat or stood--in every variety of attitude--frozen, rigid. Arthur
Constant's picture dominated the scene, the only living thing in a hall
of the dead.
But only for a moment. Mortlake shook off the detective's hand.
"Boys!" he cried, in accents of infinite indignation, "this is a police
conspiracy."
His words relaxed the tension. The stony figures were agitated. A dull,
excited hubbub answered him. The little cobbler darted from behind his
pillar, and leaped upon a bench. The cords of his brow were swollen with
excitement. He seemed a giant overshadowing the hall.
"Boys!" he roared, in his best Victoria Park voice, "listen to me. This
charge is a foul and damnable lie."
"Bravo!" "Hear, hear!" "Hooray!" "It is!" was roared back at him from
all parts of the room. Everybody rose and stood in tentative attitudes,
excited to the last degree.
"Boys!" Peter roared on, "you all know me. I'm a plain man, and I want
to know if it's likely a man would murder his best friend."
"No," in a mighty volume of sound.
Wimp had scarcely calculated upon Mortlake's popularity. He stood on the
platform, pale and anxious as his prisoner.
"And if he did, why didn't they prove it the first time?"
"Hear, hear!"
"And if they want to arrest him, why couldn't they leave it till the
ceremony was over? Tom Mortlake's not the man to run away."
"Tom Mortlake! Tom Mortlake! Three cheers for Tom Mortlake! Hip, hip,
hip, hooray!"
"Three groans for the police." "Hoo! Oo! Oo!"
Wimp's melodrama was not going well. He felt like the author to whose
ears is borne the ominous sibilance of the pit. He almost wished he had
not followed the curtain-raiser with his own stronger drama.
Unconsciously the police, scattered about the hall, drew together. The
people on the platform knew not
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