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an impudent Face, that Persons of their Degree are not obliged to sing in the vulgar Tongue at Sight. And who can forbear laughing? For a Musician knowing that the Words, let them be either _Latin_ or _Italian_, do not change the Form of the Notes, must immediately conclude, that this pert Answer of the great Man proceeds from his not being able to sing at Sight, or from his not knowing how to read; and he judges right. Sec. 4. There are an infinite Number[92] of others, who wish and sigh for the Moment that eases them from the painful Fatigue of their first Studies, hoping to have a Chance to make one in the Crowd of the second Rate; and stumbling by good Luck on something that gives them Bread, they immediately make a Legg to Musick and its Study, not caring whether the World knows they are, or are not among the Living. These do not consider that _Mediocrity_ in a Singer means _Ignorance_. Sec. 5. There are also several who study nothing but the Defects, and are endow'd with a marvelous Aptness to learn them all, having so happy a Memory as never to forget them. Their Genius is so inclined to the Bad, that if by Gift of Nature they had the best of Voices, they would be discontented if they could not find some Means to make it the worst. Sec. 6. One of a better Spirit will endeavour to keep better Company. He will be sensible of the Necessity of farther Discoveries, of farther Instructions, and even of another Master, of whom, besides the Art of Singing, he would be glad to learn how to behave himself with good Breeding. This, added to the Merit acquired by his Singing, may give him Hopes of the Favour of Princes, and of an universal Esteem. Sec. 7. If he aims at the Character of a young Man of Wit and Judgment, let him not be vulgar or too bold. Sec. 8. Let him shun low and disreputable Company, but, above all, such as abandon themselves to scandalous Liberties. Sec. 9. That Professor ought not to be frequented, though excellent in this Art, whose behaviour is vulgar and discreditable, and who cares not, provided he makes his Fortune, whether it be at the Expence of his Reputation. Sec. 10. The best School is the Nobility, from whom every thing that is genteel is to be learned; but when a Musician finds that his Company is not proper, let him retire without repining, and his Modesty will be to his Commendation. Sec. 11. If he should not meet with a Gratification from the Great, let him never complain
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