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r. There seems to be some near relationship between them, but just what, I cannot determine. Occasionally the girl dines alone. Each has a low, well-modulated voice. It seems to me that there is restraint in their speech. "The man has a dissemblingly observing glance, and while apparently unconcerned, notes all. The girl's face wears an expression of sad yet almost hopeful pensiveness. "I rarely have seen so striking a girlish face. Such finely molded features with mobile lights and shades suggest romantic interest. It seems to me that this beautiful, pensive young woman is capable of both deathless devotion and much zeal in any fixed resolve. "That her companion is no common mortal I clearly see. However, this impressible young man is most concerned with feminine traits. "It dawns upon me that both are aware of my presence. There is an almost imperceptible feigning of unconcern. Occasionally their eyes exchange significant glances, followed by commonplace remark or quiet reserve. "It seems to me that there is coincidence in dining-hours. These people never precede, but almost invariably follow my appearance in the dining-room. At rare intervals I have detected interest in their observations of my table locality. The girl has slightly colored at my guarded admiring glances, and seemed nervously affected. "Averse to needless or indiscreet notoriety at this particular time, I refrain from inquiry. Much as antecedents and purposes of these people interest me it will not be wise to risk vocal curiosity. I feel not only the restraints of good breeding, but of the situation. The Lanier exposures may be not even remotely hampered by sentimental interest in this young woman with most potent suggestions of a romantic past. "I resolve to dismiss this subject from further thought. I will devote my whole time clearing up the Thames tragedy. This resolution is not so easy to carry out. That fascinating, pathetically mobile face confronts my inner vision. It seems to invoke sympathy and help in some indefinite crisis. "Such claims not lightly may be disregarded. Intangible verities are most insistent. "Even when spying upon Paul Lanier's crazed performances, I often am startled by reflection of that other face with its questioning pathos of mute appeal. "There has been a break in these regular nightly tableaus. Paul fails to appear. For some reason this insane actor abandons his accustomed river pantomimes. This
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