ork, enclosing a
panel of needlework, covered with bent plate glass, and the motto,--

"------ Chief, lovely Spring,
In these and thy soft scenes the smiling God is seen."

Then follows the carved figure representing Summer. Over the head of it
is a basket, containing currants, strawberries, gooseberries, apples,
pears, peaches, and other fruits, enriched with leaf work, the lily and
the rose completing the centre. Between the Summer and Autumn baskets
and a panel are the following mottoes, each season having one:--

"Child of the sun! refulgent Summer comes,
In pride of youth;
While Autumn, nodding o'or the yellow plain,
Comes jovial on."

Then follows the Autumn basket, containing grapes, pears, filberts, &c.,
surrounded with leaf work. The panel of needlework next appears for
Winter, with these lines:--

"See! Winter comes to rule the varied year,
Sullen and sad;"

and over the head of the Winter figure is placed a basket of walnuts,
medlars, &c. Here is the frame of the cabinet, which contains about
eighty drawers in fine walnut wood, enriched with fuschia drops in
silver, and coral beads for drop handles; the wood work is relieved with
silvered plate glass; also small doors with plate glass for needlework,
in wild flowers. This completes the interior of the frame.

The exterior represents three carved doors, in fine relief: over Spring
and Summer is the convolvulus, entwined round the frame; then follows
the centre door, in fine relief--the grape vine, full of fruit, being
very prominent. The door over Autumn and Winter is enriched with
carvings of barley and hop vine. Between each of these doors are
pilasters, forming four female figures, holding in their hands the
emblems of the seasons, and a newly-invented glass dome head, in an
elegant form, for the protection of knitted flowers in Berlin wool. The
wood work is tastefully arranged, springing from each group of flowers
over the heads of the female figures, with mouldings to receive the
bent plate glass, and is enriched with fine carvings of fruit and
flowers. At the extreme top of this glass dome stands a beautiful figure
of Peace, with extended wings, bending over the globe, holding in one
hand the olive branch, and with the other pointing to the Deity.

Having thus given a description of the carvings of this splendid
cabinet, let me turn your attention to the enrichments in needlework,
worked on black velvet, from n