FREE BOOKS

Author's List




PREV.   NEXT  
|<   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140  
141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   >>   >|  
ame in technique. Tennyson tells a story. Dramatic poetry takes the story out of the poet's lips and tells itself. The epic requires a strong centrality of theme, movement, and dominancy, like a ubiquitous sovereign whose power is always felt in every part of his empire. Viewing "The Idyls of the King" as singing episodes, told us by some wandering minstrel, not only do they not challenge hostile criticism, but they take rank among the noblest contributions to the poetry of any language. "Columbus," "Ulyses," "Eleanore," "Enoch Arden," "Lucretius," "The Day-Dream," "Locksley Hall," "Dora," "Aylmer's Field," "The Gardener's Daughter," have all the subdued beauty of Wordsworth's narrative poems, and are as certainly lyric as those unapproachable lyrics in "The Princess." The ocean is epic in its vast expanse; tragic in its power to crush Armadas on the rocks and let them "Rot in ribs of wreck;" and lyric in its songs, whether of storm outsounding cataracts, or the singing scarce above the breath of waves that silver the shores of summer seas. Commend me to the ocean, and give all the ocean to me. Dispossess me of no might nor tragedy nor melody. Let the whole ocean be mine. So, though Tennyson be not epic as Milton, nor dramatic as Browning, he is yet a mine of wealth untold. He is more melodious than Spenser (and what a praise!) Tennyson can not write the prose, but always the poetry of life. So interpreted, how perfect his execution becomes! His words distill like dews. Take unnumbered extracts from his poems, and they seem bits of melody, picked out from nature's book of melodies, and in themselves and as related they satisfy the heart. Let these songs sing themselves to us: "Ask me no more: the moon may draw the sea; The cloud may stoop from heaven and take the shape, With fold to fold, of mountain or of cape; But O too fond, when have I answer'd thee? Ask me no more. Ask me no more: what answer should I give? I love not hollow cheek or faded eye; Yet, O my friend, I will not have thee die! Ask me no more, lest I should bid thee live; Ask me no more. Ask me no more: thy fate and mine are seal'd; I strove against the stream and all in vain; Let the great river take me to the main; No more, dear Love, for at a touch I yield; Ask me no more." "Thy voice is heard through rolling drums, That beat to battle where he stands;
PREV.   NEXT  
|<   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140  
141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   >>   >|  



Top keywords:

Tennyson

 
poetry
 

answer

 

singing

 

melody

 

picked

 

melodies

 

satisfy

 
related
 

nature


interpreted

 

praise

 

stands

 

melodious

 

Spenser

 
perfect
 

unnumbered

 

extracts

 
distill
 

execution


stream

 

strove

 

rolling

 

battle

 
mountain
 

heaven

 

untold

 

friend

 

hollow

 

shores


hostile

 

challenge

 
criticism
 
wandering
 

minstrel

 

noblest

 

contributions

 

Lucretius

 

Locksley

 

Eleanore


language

 
Columbus
 

Ulyses

 

episodes

 

requires

 

strong

 

centrality

 

technique

 
Dramatic
 
movement