h in later minuets the tempo became allegretto.
Rhythm, generally, [3/4: >(4 | 4) 4 4 | 4 8 8 8 8] etc.
Old minuets often began on the first beat. Form 4; the third
and fourth periods being generally in a different mode from
the first and second periods, and called Trio or Minuet 2.
Minuets exist also without the Trio, and are in Form 1 or 2.

10. CHACONNE.--[3/4] moderato. Form undecided; has sometimes
even only one period, sometimes three or two. It is generally
accompanied by doubles or variations, and is invariably
written on a ground bass or _basso ostinato_. The rhythm is
often syncopated.

PASSACAILLE, [3/4], resembles a chaconne but is more stately.

11. WALTZ (old German).--[3/4] andante moderato. Generally
Form 6. Rhythm [3/4: 4. 8 8. 16 | 8 8 4 8 8] approximately.

12. MARCH.--[4/4] allegro moderato.
Rhythm [4/4: 8. 16 | 4 . 16 4 4 | 2. 3(8 8 8)] etc., or
[4 | 4 8. 16 4 4] etc. Form 6. Generally all the periods
are repeated and consist of eight measures each; third and
fourth periods change the key and rhythm.

13. ALLEMANDE.--[4/4] moderato. Rhythm generally uniform
sixteenth notes. Form 1.

14. PASSEPIED.--Quick minuet.

15. PAVANE, PADVANA, or PAVO (peacock).--[4/4] andante
moderato. Rhythm [4/4: 4 8. 16 4. 8 | 8 8 8 8 2]. Form 2 or 6.
Sometimes [2/4]; third and fourth periods in different keys.

16. GIGUE.--[2/4] [6/8] [3/4] [3/8] [9/8] [12/8] presto.
Rhythm generally uniform eighth notes. Forms 1 and 2.

17. POLONAISE.--[3/4]. Rhythm [3/4: 8 16 16 8 16 16 4] or
[16 16 8 16 16 8 4] allegro. Form 1, generally with short coda.

MODERN FORMS (1800).

1. MAZURKA.--[3/4] allegretto. Form 6.
Rhythm [3/4: 4 | 8. 16 4 4].

2. POLONAISE (also POLACCA).--[3/4] allegro maestoso.
Rhythm [3/4: 8. 16 8. 16 16 16 16 16] or [8 4 16 16 8 8].
The bass is generally [8 16 16 8 8 8 8]. Form 7.

3. BOLERO (CACHUCHA) (Spanish).--Like the polonaise but
livelier, and generally containing counter-rhythms in triplets.

4. HABANERA.--[2/4].
Rhythm [2/4: 8 8 16 8 16 | 8 8 16 8 16 | 8 8 3(8 8 8) | 8 8 4].
The characteristic element is the mixture of triplets and eighth
notes. Time, andante. Form undecided, generally No. 1. Very often
repeated with slight changes.

5. CZARDAS (Hungarian).--First part [C/2] (_lassan_, _lento_);
second part [2/4] (_friska_, _presto_ and _prestissimo_).
For form and rhythm see Liszt's rhapsodies, Nos. 2, 4, and 6.

6. TARANTELLA.--Rhythm [6/8: 8 8 8 8 8 8 | 8 8 8 8 8 8] or
[8 8