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The Project Gutenberg EBook of Idolatry, by Julian Hawthorne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Idolatry A Romance Author: Julian Hawthorne Release Date: July 13, 2005 [EBook #16283] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IDOLATRY *** Produced by Wright American Fiction, J.N. Goslee and the Online Distributed Proofreading Team at http://www.pgdp.net IDOLATRY: _A ROMANCE_. by JULIAN HAWTHORNE. BOSTON: JAMES R. OSGOOD AND COMPANY, LATE TICKNOR & FIELDS, AND FIELDS, OSGOOD, & CO. 1874. University Press: Welch, Bigelow, & Co., Cambridge. CONTENTS Dedication I. The Enchanted Ring II. Out of Egypt III. A May Morning IV. A Brahman V. A New Man with an old Face VI. The Vagaries of Helwyse VII. A Quarrel VIII. A Collision Imminent IX. The Voice of Darkness X. Helwyse Resists the Devil XI. A Dead Weight XII. More Vagaries XIII. Through a Glass XIV. The Tower of Babel XV. Charon's Ferry XVI. Legend and Chronicle XVII. Face to Face XVIII. The Hoopoe and the Crocodile XIX. Before Sundown XX. Between Waking and Sleeping XXI. We Pick Up Another Thread XXII. Heart and Head XXIII. Balder Tells an Untruth XXIV. Uncle Hiero at Last XXV. The Happiness of Man XXVI. Music and Madness XXVII. Peace and Good-will XXVIII. Betrothal XXIX. A Chamber of the Heart XXX. Dandelions XXXI. Married XXXII. Shut In XXXIII. The Black Cloud DEDICATION To ROBERT CARTER, ESQ. Not the intrinsic merits of this story embolden me to inscribe it to you, my dear friend, but the fact that you, more than any other man, are responsible for its writing. Your advice and encouragement first led me to book-making; so it is only fair that you should partake of whatever obloquy (or honor) the practice may bring upon me. The ensuing pages may incline you to suspect their author of a repugnance to unvarnished truth; but,--without prejudice to Othello,--since varnish brings out in wood veins of beauty invisible before the application, why not also in the sober facts of life? When the transparent artifice has been penetrated, the fam
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