produced no change
whatever in the direction of the light, pushed one of the books half
across the table and at last sat down in the easy chair. Orsino sat down
near her, holding his hat upon his knee. He wondered whether she had
heard him speak, or whether she might not be one of those people who are
painfully shy when there is no third person present.
"I think it was very good of you to come," she said at last, when she
was comfortably settled.
"I wish goodness were always so easy," answered Orsino with alacrity.
"Is it your ambition to be good?" asked Maria Consuelo with a smile.
"It should be. But it is not a career."
"Then you do not believe in Saints?"
"Not until they are canonised and made articles of belief--unless you
are one, Madame."
"I have thought of trying it," answered Maria Consuelo, calmly.
"Saintship is a career, even in society, whatever you may say to the
contrary. It has attractions, after all."
"Not equal to those of the other side. Every one admits that. The
majority is evidently in favour of sin, and if we are to believe in
modern institutions, we must believe that majorities are right."
"Then the hero is always wrong, for he is the enthusiastic individual
who is always for facing odds, and if no one disagrees with him he is
very unhappy. Yet there are heroes--"
"Where?" asked Orsino. "The heroes people talk of ride bronze horses on
inaccessible pedestals. When the bell rings for a revolution they are
all knocked down and new ones are set up in their places--also executed
by the best artists--and the old ones are cast into cannon to knock to
pieces the ideas they invented. That is called history."
"You take a cheerful and encouraging view of the world's history, Don
Orsino."
"The world is made for us, and we must accept it. But we may criticise
it. There is nothing to the contrary in the contract."
"In the social contract? Are you going to talk to me about
Jean-Jacques?"
"Have you read him, Madame?"
"'No woman who respects herself--'" began Maria Consuelo, quoting the
famous preface.
"I see that you have," said Orsino, with a laugh. "I have not."
"Nor I."
To Orsino's surprise, Madame d'Aranjuez blushed. He could not have told
why he was pleased, nor why her change of colour seemed so unexpected.
"Speaking of history," he said, after a very slight pause, "why did you
thank me yesterday for having got you a card?"
"Did you not speak to Gouache about it?
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