impulse to use it.
'Your sister, I suppose, has been always happy in charity?' he said.
'Oh dear, yes,' said Rose irritably; 'anything that has two legs and is
ill, that is all Catherine wants to make her happy.'
'And _you_ want something quite different, something more exciting?' he
asked, his diplomatic tone showing that he felt he dared something in
thus pressing her, but dared it at least with his, wits about him.
Rose met his look irresolutely, a little tremor of self-consciousness
creeping over her.
'Yes, I want something different,' she said in a low voice and paused;
then, raising herself energetically, she clasped her hands round her
knees. 'But it is not idleness I want. I want to work, but at things I
was born for; I can't have patience with old women, but I could slave
all day and all night to play the violin.'
You want to give yourself up to study then, and live with musicians?' he
said quietly.
She shrugged her shoulders by way of answer, and began nervously to play
with her rings.
That under-self which was the work and the heritage of her father in
her, and which, beneath all the wilfulnesses and defiances of the other
self, held its own moral debates in its own way, well out of Catherine's
sight generally, began to emerge, wooed into the light by his friendly
gentleness.
'But it is all so difficult, you see,' she said despairingly. 'Papa
thought it wicked to care about anything except religion. If he had
lived, of course I should never have been allowed to study music. It has
been all mutiny so far, every bit of it, whatever I have been able to
do.'
'He would have changed with the times,' said Langham.
'I know he would,' cried Rose. 'I have told Catherine so a hundred
times. People--good people--think quite differently about art now, don't
they, Mr. Langham?
She spoke with perfect _naivete_. He saw more and more of the child in
her, in spite of that one striking development of her art.
'They call it the handmaid of religion,' he answered, smiling.
Rose made a little face.
'I shouldn't,' she said, with frank brevity. 'But then there's something
else. You know where we live--at the very ends of the earth, seven miles
from a station, in the very loneliest valley of all Westmoreland. What's
to be done with a fiddle in such a place? Of course, ever since papa
died I've just been plotting and planning to get away. But there's the
difficulty,'--and she crossed one white finger o
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