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The Project Gutenberg EBook of An Egyptian Princess, Complete, by Georg Ebers This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: An Egyptian Princess, Complete Author: Georg Ebers Last Updated: March 8, 2009 Release Date: October 16, 2006 [EBook #5460] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK AN EGYPTIAN PRINCESS, COMPLETE *** Produced by David Widger AN EGYPTIAN PRINCESS, Complete By Georg Ebers Translated from the German by Eleanor Grove PREFACE TO THE SECOND GERMAN EDITION Aut prodesse volunt ant delectare poetae, Aut simul et jucunda et idonea dicere vitae. Horat. De arte poetica v. 333. It is now four years since this book first appeared before the public, and I feel it my duty not to let a second edition go forth into the world without a few words of accompaniment. It hardly seems necessary to assure my readers that I have endeavored to earn for the following pages the title of a "corrected edition." An author is the father of his book, and what father could see his child preparing to set out on a new and dangerous road, even if it were not for the first time, without endeavoring to supply him with every good that it lay in his power to bestow, and to free him from every fault or infirmity on which the world could look unfavorably? The assurance therefore that I have repeatedly bestowed the greatest possible care on the correction of my Egyptian Princess seems to me superfluous, but at the same time I think it advisable to mention briefly where and in what manner I have found it necessary to make these emendations. The notes have been revised, altered, and enriched with all those results of antiquarian research (more especially in reference to the language and monuments of ancient Egypt) which have come to our knowledge since the year 1864, and which my limited space allowed me to lay before a general public. On the alteration of the text itself I entered with caution, almost with timidity; for during four years of constant effort as academical tutor, investigator and writer in those severe regions of study which exclude the free exercise of imagination, the poetical side of a
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