t
with a shout of joy into their home.

So, on the whole, it was well with them--very well; and Patrasche,
meeting on the highway or in the public streets the many dogs who toiled
from daybreak into nightfall, paid only with blows and curses, and
loosened from the shafts with a kick to starve and freeze as best they
might--Patrasche in his heart was very grateful to his fate, and thought
it the fairest and the kindliest the world could hold. Though he was
often very hungry indeed when he lay down at night; though he had to
work in the heats of summer noons and the rasping chills of winter
dawns; though his feet were often tender with wounds from the sharp
edges of the jagged pavement; though he had to perform tasks beyond his
strength and against his nature--yet he was grateful and content; he did
his duty with each day, and the eyes that he loved smiled down on him.
It was sufficient for Patrasche.

There was only one thing which caused Patrasche any uneasiness in his
life, and it was this. Antwerp, as all the world knows, is full at every
turn of old piles of stones, dark and ancient and majestic, standing
in crooked courts, jammed against gateways and taverns, rising by the
water's edge, with bells ringing above them in the air, and ever and
again out of their arched doors a swell of music pealing. There they
remain, the grand old sanctuaries of the past, shut in amid the squalor,
the hurry, the crowds, the unloveliness, and the commerce of the modern
world; and all day long the clouds drift and the birds circle and
the winds sigh around them, and beneath the earth at their feet there
sleeps--RUBENS.

And the greatness of the mighty master still rests upon Antwerp, and
wherever we turn in its narrow streets his glory lies therein, so that
all mean things are thereby transfigured; and as we pace slowly through
the winding ways, and by the edge of the stagnant water, and through the
noisome courts, his spirit abides with us, and the heroic beauty of his
visions is about us, and the stones that once felt his footsteps and
bore his shadow seem to arise and speak of him with living voices. For
the city which is the tomb of Rubens still lives to us through him, and
him alone.

It is so quiet there by that great white sepulchre--so quiet, save only
when the organ peals and the choir cries aloud the Salve Regina or the
Kyrie eleison. Sure no artist ever had a greater gravestone than that
pure marble sanctuary gives to h