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eld, springing to one side to avoid a third, running backward or forward, leaping, etc. This over, Sambanza and the spokesman of Nyamoana stalked backward and forward in front of Shinte, and gave forth, in a loud voice, all they had been able to learn, either from myself or people, of my past history and connection with the Makololo; the return of the captives; the wish to open the country to trade; the Bible as a word from heaven; the white man's desire for the tribes to live in peace: he ought to have taught the Makololo that first, for the Balonda never attacked them, yet they had assailed the Balonda: perhaps he is fibbing, perhaps not; they rather thought he was; but as the Balonda had good hearts, and Shinte had never done harm to any one, he had better receive the white man well, and send him on his way. Sambanza was gayly attired, and, besides a profusion of beads, had a cloth so long that a boy carried it after him as a train. Behind Shinte sat about a hundred women, clothed in their best, which happened to be a profusion of red baize. The chief wife of Shinte, one of the Matebele or Zulus, sat in front with a curious red cap on her head. During the intervals between the speeches, these ladies burst forth into a sort of plaintive ditty; but it was impossible for any of us to catch whether it was in praise of the speaker, of Shinte, or of themselves. This was the first time I had ever seen females present in a public assembly. In the south the women are not permitted to enter the kotla; and even when invited to come to a religious service there, would not enter until ordered to do so by the chief; but here they expressed approbation by clapping their hands, and laughing to different speakers; and Shinte frequently turned round and spoke to them. A party of musicians, consisting of three drummers and four performers on the piano, went round the kotla several times, regaling us with their music. Their drums are neatly carved from the trunk of a tree, and have a small hole in the side covered with a bit of spider's web: the ends are covered with the skin of an antelope pegged on; and when they wish to tighten it, they hold it to the fire to make it contract: the instruments are beaten with the hands. The piano, named "marimba", consists of two bars of wood placed side by side, here quite straight, but, farther north, bent round so as to resemble half the tire of a carriage-wheel; across these are placed about
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