s, no two of them alike, yet all trackless abysses? We may
almost fancy that Nature took pleasure in recording by ineffaceable
hieroglyphics the symbol of Norwegian life, bestowing on these coasts
the conformation of a fish's spine, fishery being the staple commerce of
the country, and well-nigh the only means of living of the hardy men who
cling like tufts of lichen to the arid cliffs. Here, through fourteen
degrees of longitude, barely seven hundred thousand souls maintain
existence. Thanks to perils devoid of glory, to year-long snows which
clothe the Norway peaks and guard them from profaning foot of traveller,
these sublime beauties are virgin still; they will be seen to harmonize
with human phenomena, also virgin--at least to poetry--which here took
place, the history of which it is our purpose to relate.

If one of these inlets, mere fissures to the eyes of the eider-ducks, is
wide enough for the sea not to freeze between the prison-walls of
rock against which it surges, the country-people call the little bay
a "fiord,"--a word which geographers of every nation have adopted into
their respective languages. Though a certain resemblance exists
among all these fiords, each has its own characteristics. The sea has
everywhere forced its way as through a breach, yet the rocks about each
fissure are diversely rent, and their tumultuous precipices defy the
rules of geometric law. Here the scarp is dentelled like a saw; there
the narrow ledges barely allow the snow to lodge or the noble crests of
the Northern pines to spread themselves; farther on, some convulsion of
Nature may have rounded a coquettish curve into a lovely valley flanked
in rising terraces with black-plumed pines. Truly we are tempted to call
this land the Switzerland of Ocean.

Midway between Trondhjem and Christiansand lies an inlet called the
Strom-fiord. If the Strom-fiord is not the loveliest of these rocky
landscapes, it has the merit of displaying the terrestrial grandeurs
of Norway, and of enshrining the scenes of a history that is indeed
celestial.

The general outline of the Strom-fiord seems at first sight to be that
of a funnel washed out by the sea. The passage which the waves have
forced present to the eye an image of the eternal struggle between old
Ocean and the granite rock,--two creations of equal power, one through
inertia, the other by ceaseless motion. Reefs of fantastic shape run out
on either side, and bar the way of ships and for