FREE BOOKS

Author's List




PREV.   NEXT  
|<   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213  
214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   >>   >|  
on a musical occasion at Ladbroke Grove Road that this conversation took place. Laetitia wasn't going to deny Dr. Vereker, evidently, or else there really was something very engrossing about her G string. Sally went on, while she dog's-eared her music, which was new, to get good turning-over advantages when it came to playing. "My medical adviser's not bad, taken as an aunt. I don't quite know what I should do without poor Prosy. But as for anything, of course that's absurd. Why, half the fun is that there _isn't_ anything!" Laetitia knew as well as possible that her young friend, once started, would develop the subject on her own lines without further help from her. She furnished her face with a faint expression of amused waiting, not strong enough to be indictable, but operative, and said never a word. "Foolery would spoil it all," pursued Sally; "in fact, I put my foot down at the first go-off. I pointed out that I stipulated to be considered a chap. Prosy showed tact--I must say that for Prosy--distinctly tact. You see, if I had had to say a single word to him on the subject, it would have been all up." Then possibly, in response to a threat of an inflexion in her friend's waiting countenance, "I should say, when I make use of the expression 'pointed out,' perhaps I ought to say 'conveyed to him.'" Sally gets the viola in place for a start, and asks is her friend ready? Waiting, it seems; so she merely adds, "Yes, I should say conveyed it to him." And off they go with the new piece of music in B flat, and are soon involved in terrifying complications which have to be done all over again. At the end, they are ungrateful to B flat, and say they don't care much for it; it will be better when they can play it, however. Then Laetitia schemes to wind Sally up a little. "Doesn't the Goody goozle at you about him, though? You said she did." "The Goody--oh yes! (By-the-bye, mother says I mustn't call your ma Goody Wilson, or I shall do it to her face, and there'll be a pretty how-do-you-do.) Prosy's parent broods over one, and gloats as if one was crumpets; but Prosy himself is very good about her--aware of her shortcomings." "I don't care what you call _my_ mother. Call her any name you like. But what does Dr. Vereker say?" "About his'n? Says she's a dear good mother, and I mustn't mind her. I say, Tishy!" "What, dear?" "What _is_ the present position of the row? You said your mother. You know you di
PREV.   NEXT  
|<   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213  
214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   >>   >|  



Top keywords:

mother

 

Laetitia

 
friend
 
pointed
 

expression

 
conveyed
 

subject

 
waiting
 

Vereker

 

Waiting


present
 

complications

 

involved

 

position

 

terrifying

 

pretty

 

parent

 

Wilson

 

broods

 

gloats


shortcomings
 

crumpets

 
schemes
 

ungrateful

 

goozle

 
pursued
 

medical

 

adviser

 

playing

 

turning


advantages

 

absurd

 

conversation

 

musical

 

occasion

 
Ladbroke
 

string

 

engrossing

 

evidently

 

stipulated


considered

 

showed

 

distinctly

 

threat

 

inflexion

 
countenance
 
response
 

possibly

 
single
 

develop