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The Project Gutenberg EBook of 'Me and Nobbles', by Amy Le Feuvre This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: 'Me and Nobbles' Author: Amy Le Feuvre Release Date: August 10, 2007 [EBook #22290] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK 'ME AND NOBBLES' *** Produced by Al Haines [Frontispiece: NOBBLES WAS TIGHTLY GRASPED IN HIS HAND.] 'Me and Nobbles' By AMY LE FEUVRE Author of 'Probable Sons,' 'Teddy's Button,' 'Jill's Red Bag,' 'Odd,' 'His Little Daughter,' etc. London THE RELIGIOUS TRACT SOCIETY 4 Beuverie Street and 65 St. Paul's Churchyard, E.C. 4. 1908 CONTENTS CHAPTER PROLOGUE I.--'MASTER MORTIMER' II.--'HE MAY COME TO-MORROW!' III.--THE BEAUTIFUL PICTURE IV.--HIS NEW FRIEND V.--NOBBLES' MISFORTUNE VI.--HIS FATHER VII.--HIS NEW HOME VIII.--A LETTER FROM ABROAD IX.--'SHE HAS LEFT US!' X.--'WE'RE GOING TO FIND A GOVERNESS! XI.--BOBBY'S VISITOR XII.--'A DELIGHTFUL TIME XIII.--THE WEDDING XIV.--'NEARLY DROWNED' XV.--THE OLD HOUSE AGAIN 'ME AND NOBBLES.' PROLOGUE. [_To be skipped by children if they like._] It was a very silent old house. Outside, the front windows stared gravely down upon the tidy drive with its rhododendron shrubberies, the well-kept lawn with the triangular beds, and the belt of gloomy fir trees edging the high brick wall that ran along the public road. The windows were always draped and curtained, and opened one foot at the top with monotonous regularity. No one was ever seen leaning out of them, or even pushing back the curtains to widen their view. There was a broad flight of steps, and a ponderous door which, when opened, disclosed a long hall, at the end of which was a gaily flowered conservatory. Instinct made people tread gently upon the thick Turkey rugs that were laid upon the polished floor; there was a stillness in the house that seemed to chill one. If you peeped into the big dining-room, the portraits upon the wall eyed you with disapproval; the table, which was always laid with snowy-white cloth and shining silver, seemed severely austere and formal;
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