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supernal, who forgot God in possessing him. It was the song of birth, of the soul's plunging into darkness and fire, of the weaving round her of the fleshy veils, the veils of separation, the veils of illusion; the song of her withdrawal into her dim house, of her binding and scourging, and of her ceaseless breaking on the wheel of time, till she renews her passion and the desire of her return. It was the song of the angels of mortal life, sounding its secrets; angels of terror and pain, carding the mortal stuff, spinning it out, finer and yet more fine, till every nerve becomes vibrant, a singing lyre of God; angels of the passions and the agonies, moving in the blood, ministers of the flame that subtilizes flesh to a transparent vehicle of God; strong angels of disease and dissolution, undermining, pulling down the house of pain. He paused and she raised her head. "Owen--that's what you once tried to make me see. Do you remember?" "Yes, and you said that I was intoxicated and that it was all very dim and disagreeable and sad." "I didn't understand it then," she said. "You don't understand it now. You feel it." "Why didn't I feel it then? When you said it?" "I didn't say it. How could I? There's no other way of saying it but this. It isn't a theory or a creed; if it were it could be stated in a thousand different ways. It's the supreme personal experience, and this is the only form in which it could possibly be conveyed. These words were brought together from all eternity to say this thing." "I'm not sure that I'm convinced of the truth of it, even now. I only feel the passion of it. It's the passion of it, Owen, that'll make it live." "The truth and the passion of it are the same thing," he said. He went on chanting. The music gathered and rose and broke over her in the last verse, in the song of consummation, of the soul's passion, jubilant, transcendent, where, of the veils of earth and heaven, the veils of separation and illusion, she weaves the veil of the last bridal, the fine veil of immortality. In the silence Laura stirred at his side. She had possessed herself of his hand again and held it firmly, as if she were afraid that he might be taken from her in his ecstasy. She was thinking: He used that theme before, in the first poem of his I ever heard. He was mistaken. There was more than one way of saying the same thing. She reminded him of this earlier poem. Surely, she said, it was t
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