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ing "Solinus" and "The Augustan History," however ably; but an achievement like this, not a "Paradise Lost" or a "Werther" was the _sic itur ad astra_ of the time. On the strength of such Salmasius had pronounced _ex cathedra_ on a multiplicity of topics, from episcopacy to hair-powder, and there was no bishop and no perfumer between the Black Sea and the Irish who would not rather have the scholar for him than against him. A man, too, to be named with respect; no mere annotator, but a most sagacious critic; peevish, it might be, but had he not seven grievous disorders at once? One who had shown such independence and integrity in various transactions of his life, that we may be very sure that Charles II.'s hundred Jacobuses, if ever given or even promised, were the very least of the inducements that called him into the field against the executioners of Charles I. Whether, however, the hundred Jacobuses were forthcoming or not, Salmasius's undertaking was none the less a commission from Charles II., and the circumstance put him into a false position, and increased the difficulty of his task. Human feeling is not easily reconciled to the execution of a bad magistrate, unless he has also been a bad man. Charles I. was by no means a bad man, only a mistaken one. He had been guilty of many usurpations and much perfidy: but he had honestly believed his usurpations within the limits of his prerogative; and his breaches of faith were committed against insurgents whom he regarded as seamen look upon pirates, or shepherds upon wolves. Salmasius, however, pleading by commission from Charles's son, can urge no such mitigating plea. He is compelled to maintain the inviolability even of wicked sovereigns, and spends two-thirds of his treatise in supporting a proposition to state which is to refute it in the nineteenth century. In the latter part he is on stronger ground. Charles had unquestionably been tried and condemned by a tribunal destitute of legal authority, and executed contrary to the wish and will of the great majority of his subjects. But this was a theme for an Englishman to handle. Salmasius cannot think himself into it, nor had he sufficient imagination to be inspired by Charles as Burke (who, nevertheless, has borrowed from him) was to be inspired by Marie Antoinette. His book--entitled "Defensio Regia pro Carolo I."--appeared in October or November, 1649. On January 8, 1650, it was ordered by the Council of State "
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