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. There was a whole nation of motionless marble there steeped in the diffuse light falling from the glazed roof on high. Looking southwards, some holland screens barred half of the nave, which showed ambery in the sunlight and was speckled at both ends by the dazzling blue and crimson of stained-glass windows. Just a few visitors, tired already, occupied the brand-new chairs and seats, shiny with fresh paint; while the flights of sparrows, who dwelt above, among the iron girders, swooped down, quite at home, raking up the sand and twittering as they pursued each other. Claude and Sandoz made a show of walking very quickly without giving a glance around them. A stiff classical bronze statue, a Minerva by a member of the Institute, had exasperated them at the very door. But as they hastened past a seemingly endless line of busts, they recognised Bongrand, who, all alone, was going slowly round a colossal, overflowing, recumbent figure, which had been placed in the middle of the path. With his hands behind his back, quite absorbed, he bent his wrinkled face every now and then over the plaster. 'Hallo, it's you?' he said, as they held out their hands to him. 'I was just looking at our friend Mahoudeau's figure, which they have at least had the intelligence to admit, and to put in a good position.' Then, breaking off: 'Have you been upstairs?' he asked. 'No, we have just come in,' said Claude. Thereupon Bongrand began to talk warmly about the Salon of the Rejected. He, who belonged to the Institute, but who lived apart from his colleagues, made very merry over the affair; the everlasting discontent of painters; the campaign conducted by petty newspapers like 'The Drummer'; the protestations, the constant complaints that had at last disturbed the Emperor, and the artistic _coup d'etat_ carried out by that silent dreamer, for this Salon of the Rejected was entirely his work. Then the great painter alluded to all the hubbub caused by the flinging of such a paving-stone into that frog's pond, the official art world. 'No,' he continued, 'you can have no idea of the rage and indignation among the members of the hanging committee. And remember I'm distrusted, they generally keep quiet when I'm there. But they are all furious with the realists. It was to them that they systematically closed the doors of the temple; it is on account of them that the Emperor has allowed the public to revise their verdict; and finally it is t
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