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Narbonne. She replies by declaring her belief that the charge is a gross calumny. "Indeed, I think you could not spend a day with them and not see that their commerce is that of pure, but exalted and most elegant, friendship. I would, nevertheless, give the world to avoid being a guest under their roof, now that I have heard even the shadow of such a rumour." If Mr. Croker was right, she was then in her forty-second year; at all events, no tender, timid, delicate maiden, ready to start at a hint or semblance of impropriety; and she waved her scruples without hesitation when they stood in the way of her intercourse with M. D'Arblay, whom she married in July 1793, he being then employed in transcribing Madame de Stael's Essay on the Influence of the Passions. As to the parallel, with all due deference to Madame D'Arblay's proved sagacity aided by her personal knowledge of her two gifted friends, it may be suggested that they present fewer points of resemblance than any two women of at all corresponding celebrity.[1] The superiority in the highest qualities of mind will be awarded without hesitation to the French woman, although M. Thiers terms her writings the perfection of mediocrity. She grappled successfully with some of the weightiest and subtlest questions of social and political science; in criticism she displayed powers which Schlegel might have envied while he aided their fullest development in her "Germany"; and her "Corinne" ranks amongst the best of those works of fiction which excel in description, reflection, and sentiment, rather than in pathos, fancy, stirring incident, or artfully contrived plot. But her tone of mind was so essentially and notoriously masculine, that when she asked Talleyrand whether he had read her "Delphine," he answered, "Non, Madame, mais on m'a dit que-nous y sommes tous les deux deguises en femmes."[2] This was a material drawback on her agreeability: in a moment of excited consciousness, she exclaimed, that she would give all her fame for the power of fascinating; and there was no lack of bitterness in her celebrated repartee to the man who, seated between her and Madame Recamier, boasted of being between Wit and Beauty, "Oui, et sans posseder ni l'un ni l'autre."[3] The view from Richmond Park she called "calme et animee, ce qu'on doit etre, et que je ne suis pas." [Footnote 1: Lady Morgan and Madame de Genlis have been suggested as each presenting a better subject for a par
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