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absence with a confidence unknown to the highest friendship: their satisfactions are doubled, their sorrows lessened by participation. On the other hand, Corinna, who is the mistress of Limberham,[469] lives in constant torment: her equipage is, an old woman, who was what Corinna is now; an antiquated footman, who was pimp to Limberham's father; and a chambermaid, who is Limberham's wench by fits, out of a principle of politics to make her jealous and watchful of Corinna. Under this guard, and in this conversation, Corinna lives in state: the furniture of her habitation, and her own gorgeous dress, make her the envy of all the strolling ladies in the town; but Corinna knows she herself is but part of Limberham's household stuff, and is as capable of being disposed of elsewhere, as any other movable. But while her keeper is persuaded by his spies, that no enemy has been within his doors since his last visit, no Persian prince was ever so magnificently bountiful: a kind look or falling tear is worth a piece of brocade, a sigh is a jewel, and a smile is a cupboard of plate. All this is shared between Corinna and her guard in his absence. With this great economy and industry does the unhappy Limberham purchase the constant tortures of jealousy, the favour of spending his estate, and the opportunity of enriching one by whom he knows he is hated and despised. These are the ordinary and common evils which attend keepers, and Corinna is a wench but of common size of wickedness. Were you to know what passes under the roof where the fair Messalina reigns with her humble adorer! Messalina is the professed mistress of mankind; she has left the bed of her husband and her beauteous offspring, to give a loose to want of shame and fulness of desire. Wretched Nocturnus, her feeble keeper! How the poor creature fribbles in his gait, and scuttles from place to place to despatch his necessary affairs in painful daylight, that he may return to the constant twilight preserved in that scene of wantonness, Messalina's bedchamber. How does he, while he is absent from thence, consider in his imagination the breadth of his porter's shoulders, the spruce nightcap of his valet, the ready attendance of his butler! Any of all whom he knows she admits, and professes to approve of. This, alas! is the gallantry; this the freedom of our fine gentlemen: for this they preserve their liberty, and keep clear of that bugbear, marriage. But he does not understa
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