ace for every thing, and every thing in its
place. There is nothing irrelevant, nothing ajar. The parts are not
only each true and good and beautiful in themselves, but each is
helpful to the others, and all to the author's purpose: every
allusion, every image, every word, tells in furtherance of his aim.
There need nothing be added, there must nothing be taken away. The
argument at every step is clear and strong. The thing begins,
proceeds, and ends, just as it ought; you cannot change a word in it
without injuring it: the understanding, the imagination, the ear, are
all satisfied with the result. And the specimen is itself a full
triumph of the Sonnet, from the intellectual truth and beauty and
sweetness which are here put into it. So that, what with the
argument, and what with the example, the vindication of the Sonnet is
perfect. Accordingly, I believe no one has spoken lightly of the thing
since that specimen was given to the public.
Many have written poetry, and good poetry too, who, notwithstanding,
have not written, and could not write, a Poem. But this sonnet is, in
its measure, a genuine poem; and as such I am willing to bear the
responsibility of pronouncing it faultless. Wordsworth could do the
Sonnet completely, and did it so in many instances: and he could do
more than this; in several of his longer pieces the workmanship is
perhaps equally faultless; as, for instance, in _Laodamia_, and the
_Ode to Duty_, which, to my sense, are perfect poems in their kind.
But to do thus through so complex and multitudinous a work as our
higher specimens of the Gothic Drama, is a very different matter,--a
thing far beyond the power of a Wordsworth. To combine and carry on
together various distinct lines of thought, and various individual
members of character, so that each shall constantly remember and
respect the others, and this through a manifold, diversified, and
intricate course of action; to keep all the parts true to the terms
and relations of organic unity, each coming in and stopping just where
it ought, each doing its share, and no more than its share, in the
common plan, so as not to hinder the life or interfere with the rights
of the others; to knit them all together in a consistent and
harmonious whole, with nothing of redundancy or of deficiency, nothing
"overdone or come tardy off,"--the members, moreover, all mutually
interacting, all modifying and tempering one another;--this is a task
which it is given
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