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performed before him by one of the cardinals. There was nothing in this ceremony that was novel or interesting; it was the same monotonous chant from the choir, the same numberless bowings, and genuflections, and puffings of incense, and change of garments, and fussing about the altar. All that was new was the constant bustle about the Pope, kissing of his toe and his hand, helping him to rise and to sit again, bringing and taking away of cushions and robes and tiaras and mitres, and a thousand other little matters that would have enraged any man of weak nerves, if it did not kill him. After two hours of this tedious work (the people in the mean time perfectly inattentive), the ceremony ended, and the Pope was again borne through the church and the crowd returned." On July 7, Morse, with four friends, left Rome at four o'clock in the morning for Naples, where they arrived on the 11th after the usual experiences; beggars continually marring the peaceful beauty of every scene by their importunities; good inns, with courteous landlords and servants, alternating with wretched taverns and insolent attendants. The little notebook detailing the first ten days' experiences in Naples is missing, and the next one takes up the narrative on July 24, when he and his friends are in Sorrento. I shall not transcribe his impressions of that beautiful town or those of the island of Capri. These places are too familiar to the visitor to Italy and have changed but little in the last eighty years. Prom Capri they were rowed over to Amalfi, and narrowly escaped being dashed on the rocks by the sudden rising of a violent gale. At Amalfi they found lodgings in the Franciscan monastery, which is still used as an inn, and here I shall again quote from the journal:-- "The place is in decay and is an excellent specimen of their monastic buildings. It is now in as romantic a state as the most poetic imagination could desire. Here are gloomy halls and dark and decayed rooms; long corridors of chambers, uninhabited except by the lizard and the bat; terraces upon the brow of stupendous precipices; gloomy cells with grated windows, and subterranean apartments and caverns. Remains of rude frescoes stain the crumbling ceiling, and ivy and various wild plants hang down from the opening crevices and cover the tops of the broken walls. "A rude sundial, without a gnomon, is almost obliterated from the wall of the cloisters, but its motto, '_Dies nos
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