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plomacy. Love, my dear, is made up of imperceptible sensations. We know that it is as strong as death, but also as frail as glass. The slightest shock breaks it, and our power crumbles, and we are never able to raise it again. We have the power of making ourselves adored, but we lack one tiny thing, the understanding of the various kinds of caresses. In embraces we lose the sentiment of delicacy, while the man over whom we rule remains master of himself, capable of judging the foolishness of certain words. Take care, my dear; that is the defect in our armor. It is our Achilles' heel. Do you know whence comes our real power? From the kiss, the kiss alone! When we know how to hold out and give up our lips we can become queens. The kiss is only a preface, however, but a charming preface. More charming than the realization itself. A preface which can always be read over again, whereas one cannot always read over the book. Yes, the meeting of lips is the most perfect, the most divine sensation given to human beings, the supreme limit of happiness: It is in the kiss alone that one sometimes seems to feel this union of souls after which we strive, the intermingling of hearts, as it were. Do you remember the verses of Sully-Prudhomme: Caresses are nothing but anxious bliss, Vain attempts of love to unite souls through a kiss. One caress alone gives this deep sensation of two beings welded into one --it is the kiss. No violent delirium of complete possession is worth this trembling approach of the lips, this first moist and fresh contact, and then the long, lingering, motionless rapture. Therefore, my dear, the kiss is our strongest weapon, but we must take care not to dull it. Do not forget that its value is only relative, purely conventional. It continually changes according to circumstances, the state of expectancy and the ecstasy of the mind. I will call attention to one example. Another poet, Francois Coppee, has written a line which we all remember, a line which we find delightful, which moves our very hearts. After describing the expectancy of a lover, waiting in a room one winter's evening, his anxiety, his nervous impatience, the terrible fear of not seeing her, he describes the arrival of the beloved woman, who at last enters hurriedly, out of breath, bringing with her part of the winter breeze, and he exclaims: Oh! the taste of the kisses first snatched through the veil. Is that n
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