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ort" is a subject which the Immortal would hardly handle. Well, well; let us allow that the book is not worthy of such a polite critic--that the beer is not strong enough for a gentleman who has taste and experience in beer. That opinion no man can ask his honor to alter; but (the beer being the question), why make unpleasant allusions to the Gazette, and hint at the probable bankruptcy of the brewer? Why twit me with my poverty; and what can the Times' critic know about the vacuity of my exchequer? Did he ever lend me any money? Does he not himself write for money? (and who would grudge it to such a polite and generous and learned author?) If he finds no disgrace in being paid, why should I? If he has ever been poor, why should he joke at my empty exchequer? Of course such a genius is paid for his work: with such neat logic, such a pure style, such a charming poetical turn of phrase, of course a critic gets money. Why, a man who can say of a Christmas book that "it is an opuscule denominated so-and-so, and ostensibly intended to swell the tide of expansive emotion incident upon the exodus of the old year," must evidently have had immense sums and care expended on his early education, and deserves a splendid return. You can't go into the market, and get scholarship like THAT, without paying for it: even the flogging that such a writer must have had in early youth (if he was at a public school where the rods were paid for), must have cost his parents a good sum. Where would you find any but an accomplished classical scholar to compare the books of the present (or indeed any other) writer to "sardonic divings after the pearl of truth, whose lustre is eclipsed in the display of the diseased oyster;" mere Billingsgate doesn't turn out oysters like these; they are of the Lucrine lake:--this satirist has pickled his rods in Latin brine. Fancy, not merely a diver, but a sardonic diver: and the expression of his confounded countenance on discovering not only a pearl, but an eclipsed pearl, which was in a diseased oyster! I say it is only by an uncommon and happy combination of taste, genius, and industry, that a man can arrive at uttering such sentiments in such fine language,--that such a man ought to be well paid, as I have no doubt he is, and that he is worthily employed to write literary articles, in large type, in the leading journal of Europe. Don't we want men of eminence and polite learning to sit on the literary bench,
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