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e only property. Worse than this, the outskirts of the clearing were sometimes haunted by blanketed tatterdemalions with whom she had mysterious confidences. Mr. Walker more than once regretted his indiscreet humanity; but she presently relieved him of responsibility, and possibly of bloodguiltiness, by disappearing entirely. When she reappeared, it was at the adjacent village of Logport, in the capacity of housemaid to a trader's wife, who, joining some little culture to considerable conscientiousness, attempted to instruct her charge. But the Princess proved an unsatisfactory pupil to even so liberal a teacher. She accepted the alphabet with great good-humor, but always as a pleasing and recurring novelty, in which all interest expired at the completion of each lesson. She found a thousand uses for her books and writing materials other than those known to civilized children. She made a curious necklace of bits of slate-pencil, she constructed a miniature canoe from the pasteboard covers of her primer, she bent her pens into fish-hooks, and tattooed the faces of her younger companions with blue ink. Religious instruction she received as good-humoredly, and learned to pronounce the name of the Deity with a cheerful familiarity that shocked her preceptress. Nor could her reverence be reached through analogy; she knew nothing of the Great Spirit, and professed entire ignorance of the Happy Hunting-Grounds. Yet she attended divine service regularly, and as regularly asked for a hymn-book; and it was only through the discovery that she had collected twenty-five of these volumes and had hidden them behind the woodpile, that her connection with the First Baptist Church of Logport ceased. She would occasionally abandon these civilized and Christian privileges, and disappear from her home, returning after several days of absence with an odor of bark and fish, and a peace-offering to her mistress in the shape of venison or game. To add to her troubles, she was now fourteen, and, according to the laws of her race, a woman. I do not think the most romantic fancy would have called her pretty. Her complexion defied most of those ambiguous similes through which poets unconsciously apologize for any deviation from the Caucasian standard. It was not wine nor amber colored; if anything, it was smoky. Her face was tattooed with red and white lines on one cheek, as if a duo-toothed comb had been drawn from cheek-bone to jaw, and, but f
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