to me. That she should struggle against the
fascinating influence of his delightful art--delightful nature I thought
it then--did not surprise me either; for I knew that she was sometimes
jaundiced and perverse. I saw her features and her manner slowly change;
I saw her look at him with growing admiration; I saw her try, more and
more faintly, but always angrily, as if she condemned a weakness in
herself, to resist the captivating power that he possessed; and finally,
I saw her sharp glance soften, and her smile become quite gentle, and I
ceased to be afraid of her as I had really been all day, and we all sat
about the fire, talking and laughing together, with as little reserve as
if we had been children.

Whether it was because we had sat there so long, or because Steerforth
was resolved not to lose the advantage he had gained, I do not know; but
we did not remain in the dining-room more than five minutes after her
departure. 'She is playing her harp,' said Steerforth, softly, at the
drawing-room door, 'and nobody but my mother has heard her do that, I
believe, these three years.' He said it with a curious smile, which was
gone directly; and we went into the room and found her alone.

'Don't get up,' said Steerforth (which she had already done)' my dear
Rosa, don't! Be kind for once, and sing us an Irish song.'

'What do you care for an Irish song?' she returned.

'Much!' said Steerforth. 'Much more than for any other. Here is Daisy,
too, loves music from his soul. Sing us an Irish song, Rosa! and let me
sit and listen as I used to do.'

He did not touch her, or the chair from which she had risen, but sat
himself near the harp. She stood beside it for some little while, in a
curious way, going through the motion of playing it with her right hand,
but not sounding it. At length she sat down, and drew it to her with one
sudden action, and played and sang.

I don't know what it was, in her touch or voice, that made that song the
most unearthly I have ever heard in my life, or can imagine. There was
something fearful in the reality of it. It was as if it had never been
written, or set to music, but sprung out of passion within her; which
found imperfect utterance in the low sounds of her voice, and crouched
again when all was still. I was dumb when she leaned beside the harp
again, playing it, but not sounding it, with her right hand.

A minute more, and this had roused me from my trance:--Steerforth had
left his se