quickly disappear. The low arched door then opened, and
the face came out. It was quite as cadaverous as it had looked in the
window, though in the grain of it there was that tinge of red which is
sometimes to be observed in the skins of red-haired people. It belonged
to a red-haired person--a youth of fifteen, as I take it now, but
looking much older--whose hair was cropped as close as the closest
stubble; who had hardly any eyebrows, and no eyelashes, and eyes of a
red-brown, so unsheltered and unshaded, that I remember wondering how he
went to sleep. He was high-shouldered and bony; dressed in decent black,
with a white wisp of a neckcloth; buttoned up to the throat; and had a
long, lank, skeleton hand, which particularly attracted my attention, as
he stood at the pony's head, rubbing his chin with it, and looking up at
us in the chaise.

'Is Mr. Wickfield at home, Uriah Heep?' said my aunt.

'Mr. Wickfield's at home, ma'am,' said Uriah Heep, 'if you'll please to
walk in there'--pointing with his long hand to the room he meant.

We got out; and leaving him to hold the pony, went into a long low
parlour looking towards the street, from the window of which I caught a
glimpse, as I went in, of Uriah Heep breathing into the pony's nostrils,
and immediately covering them with his hand, as if he were putting
some spell upon him. Opposite to the tall old chimney-piece were two
portraits: one of a gentleman with grey hair (though not by any means
an old man) and black eyebrows, who was looking over some papers tied
together with red tape; the other, of a lady, with a very placid and
sweet expression of face, who was looking at me.

I believe I was turning about in search of Uriah's picture, when, a door
at the farther end of the room opening, a gentleman entered, at sight of
whom I turned to the first-mentioned portrait again, to make quite sure
that it had not come out of its frame. But it was stationary; and as the
gentleman advanced into the light, I saw that he was some years older
than when he had had his picture painted.

'Miss Betsey Trotwood,' said the gentleman, 'pray walk in. I was engaged
for a moment, but you'll excuse my being busy. You know my motive. I
have but one in life.'

Miss Betsey thanked him, and we went into his room, which was furnished
as an office, with books, papers, tin boxes, and so forth. It looked
into a garden, and had an iron safe let into the wall; so immediately
over the mantelshelf