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vanish, and meseems that I, From Halkerside, from topmost Allermuir, Or steep Caerketton, dreaming gaze again. Far set in fields and woods, the town I see Spring gallant from the shallows of her smoke, Cragg'd, spired, and turreted, her virgin fort Beflagg'd. About, on seaward drooping hills, New folds of city glitter. Last, the Forth Wheels ample waters set with sacred isles, And populous Fife smokes with a score of towns, There, on the sunny frontage of a hill, Hard by the house of kings, repose the dead, My dead, the ready and the strong of word. Their works, the salt-encrusted, still survive; The sea bombards their founded towers; the night Thrills pierced with their strong lamps. The artificers, One after one, here in this grated cell, Where the rain erases and the rust consumes, Fell upon lasting silence. Continents And continental oceans intervene; A sea uncharted, on a lampless isle, Environs and confines their wandering child In vain. The voice of generations dead Summons me, sitting distant, to arise, My numerous footsteps nimbly to retrace, And all mutation over, stretch me down In that denoted city of the dead." CHAPTER IV--HEREDITY ILLUSTRATED At first sight it would seem hard to trace any illustration of the doctrine of heredity in the case of this master of romance. George Eliot's dictum that we are, each one of us, but an omnibus carrying down the traits of our ancestors, does not appear at all to hold here. This fanciful realist, this naive-wistful humorist, this dreamy mystical casuist, crossed by the innocent bohemian, this serious and genial essayist, in whom the deep thought was hidden by the gracious play of wit and phantasy, came, on the father's side, of a stock of what the world regarded as a quiet, ingenious, demure, practical, home-keeping people. In his rich colour, originality, and graceful air, it is almost as though the bloom of japonica came on a rich old orchard apple-tree, all out of season too. Those who go hard on heredity would say, perhaps, that he was the result of some strange back-stroke. But, on closer examination, we need not go so far. His grandfather, Robert Stevenson, the great lighthouse-builder, the man who reared the iron-bound pillar on the destructive Bell Rock, and set life-saving lights there, was very intent on his professional work, yet he had his ideal, and r
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