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en pain us. The dull neglected peasant, sunk in matter, insolent, gross and servile, makes a startling contrast to our own long-legged, long-headed, thoughtful, Bible-loving ploughman. A week or two in such a place as Suffolk leaves the Scotsman gasping. It seems impossible that within the boundaries of his own island a class should have been thus forgotten. Even the educated and intelligent who hold our own opinions and speak in our own words, yet seem to hold them with a difference or from another reason, and to speak on all things with less interest and conviction. The first shock of English society is like a cold plunge." {8} As there was a great deal of the "John Bull element" {9} in the little dreamer De Quincey, so there was a great deal, after all, of the rather conceited Calvinistic Scot in R. L. Stevenson, and it is to be traced as clearly in certain of his fictions as anywhere, though he himself would not perhaps have seen it and acknowledged it, as I am here forced now to see it, and to acknowledge it for him. CHAPTER XVII--PROOFS OF GROWTH Once again I quote Goethe: "Natural simplicity and repose are the acme of art, and hence it follows no youth can be a master." It has to be confessed that seldom, if ever, does Stevenson naturally and by sheer enthusiasm for subject and characters attain this natural simplicity, if he often attained the counterfeit presentment--artistic and graceful euphony, and new, subtle, and often unexpected concatenations of phrase. Style is much; but it is not everything. We often love Scott the more that he shows loosenesses and lapses here, for, in spite of them, he gains natural simplicity, while not seldom Stevenson, with all his art and fine sense of verbal music, rather misses it. _The Sedulous Ape_ sometimes disenchants as well as charms; for occasionally a word, a touch, a turn, sends us off too directly in search of the model; and this operates against the interest as introducing a new and alien series of associations, where, for full effect, it should not be so. And this distraction will be the more insistent, the more knowledge the reader has and the more he remembers; and since Stevenson's first appeal, both by his spirit and his methods, is to the cultured and well read, rather than to the great mass, his "sedulous apehood" only the more directly wars against him as regards deep, continuous, and lasting impress
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