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tions and Music. The mother shows much interest, and from her store of knowledge clears up many doubtful points in the mind of her daughter. And so the hours pass quickly until the father comes home and joins the family circle. The walls of the room are white, and are relieved here and there by the most beautiful tapestries. The few furnishings of the room express beauty through the artistry that is born of Love. There is a lack of useless furniture and bric-a-brac in the room. A table, a few chairs and a receptacle for books, also a couch, complete the furnishings. But this simplicity in the matter of furniture adds a spirit of freedom to the home. There is no kitchen drudgery in store for the Housewife. The family repair to a dining-room where food is served by the mother. The food has just arrived from a central depot in a mechanical contrivance which runs underground. After the meal has been partaken of, the soiled dishes are returned in the same manner by which they were conveyed to the home. Later in the evening the family prepares to attend a lecture or musical concert nearby. Or perhaps a visit to some distant part is considered, in which case an airship is ordered from a public aerodrome. CHAPTER XX. ART As Harmony is an expression of the Father, its coexistent, Art, is an expression of the laws of Rhythm through the individual when permanently registered in a material way. The more a created object conforms to the laws of Harmony the more pleasing it is to the eye. The artist gives expression to his soul within with paint brush, chisel or loom, and the quality of his production is proportionate to the development of his spiritual nature. All of God's creatures are artists, although only a small percentage of His evolutionary creatures are able to express materially what lies hidden in the soul. Hence, a beautifully executed painting, statue or tapestry appeals to and interests almost everyone, even though few are able to execute their own artistic impressions. The reason for this is that the average physical makeup is defective and therefore affords a poor vehicle for the expression of the real entity. Then again, artistic ability is a question of individual development. Primordial man's efforts to depict that which delighted his soul were crude indeed, compared with the creations of your world's foremost artists today. But in a relative sense only, for the state o
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