tions and Music.
The mother shows much interest, and from her store of knowledge clears
up many doubtful points in the mind of her daughter. And so the hours
pass quickly until the father comes home and joins the family circle.
The walls of the room are white, and are relieved here and there by the
most beautiful tapestries. The few furnishings of the room express
beauty through the artistry that is born of Love.
There is a lack of useless furniture and bric-a-brac in the room.
A table, a few chairs and a receptacle for books, also a couch,
complete the furnishings. But this simplicity in the matter of
furniture adds a spirit of freedom to the home.
There is no kitchen drudgery in store for the Housewife. The family
repair to a dining-room where food is served by the mother. The food
has just arrived from a central depot in a mechanical contrivance which
runs underground. After the meal has been partaken of, the soiled
dishes are returned in the same manner by which they were conveyed to
the home.
Later in the evening the family prepares to attend a lecture or musical
concert nearby. Or perhaps a visit to some distant part is considered,
in which case an airship is ordered from a public aerodrome.
CHAPTER XX.
ART
As Harmony is an expression of the Father, its coexistent, Art, is an
expression of the laws of Rhythm through the individual when
permanently registered in a material way.
The more a created object conforms to the laws of Harmony the more
pleasing it is to the eye.
The artist gives expression to his soul within with paint brush, chisel
or loom, and the quality of his production is proportionate to the
development of his spiritual nature.
All of God's creatures are artists, although only a small percentage of
His evolutionary creatures are able to express materially what lies
hidden in the soul. Hence, a beautifully executed painting, statue or
tapestry appeals to and interests almost everyone, even though few are
able to execute their own artistic impressions.
The reason for this is that the average physical makeup is defective
and therefore affords a poor vehicle for the expression of the real
entity. Then again, artistic ability is a question of individual
development.
Primordial man's efforts to depict that which delighted his soul were
crude indeed, compared with the creations of your world's foremost
artists today. But in a relative sense only, for the state o
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