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you, ape-man, for good! Yes! I killed Lucy, I killed him! He belonged to me--until that pink and white thing took him away. I am glad I killed him. If I cannot have him neither can she. But I was mad all the same." She glanced down at Kerry, and: "Tie him up," she directed, "and send him to sleep. And understand, Sin, we've shared out for the last time--You go your way and I go mine. No stinking Yellow River for me. New York is good enough until it's safe to go to Buenos Ayres." "Smartest leg in Buenos Ayres," croaked the raven from his wicker cage, which was set upon the counter. Sin Sin Wa regarded him smilingly. "Yes, yes, my little friend," he crooned in Chinese, while Tling-a-Ling rattled ghostly castanets. "In Ho-Nan they will say that you are a devil and I am a wizard. That which is unknown is always thought to be magical, my Tling-a-Ling." Mrs. Sin, who was rapidly throwing off the effects of opium and recovering her normal self-confident personality, glanced at her husband scornfully. "Tell me," she said, "what has happened? How did he come here?" "Blinga filly doggy," murmured Sin Sin Wa. "Knockee Ah Fung on him head and comee down here, lo. Ah Fung allee lightee now--topside. Chasee filly doggy. Allee velly proper. No bhobbery." "Talk less and act more," said Mrs. Sin. "Tie him up, and if you must talk, talk Chinese. Tie him up." She pointed to Kerry. Sin Sin Wa tucked his hands into his sleeves and shuffled towards the masked door communicating with the inner room. "Only by intelligent speech are we distinguished from the other animals," he murmured in Chinese. Entering the inner room, he began to extricate a long piece of thin rope from amid a tangle of other materials with which it was complicated. Mrs. Sin stood looking down at the fallen man. Neither Kerry nor Sam Tuk gave the slightest evidence of life. And as Sin Sin Wa disentangled yard upon yard of rope from the bundle on the floor by the bed where Rita Irvin lay in her long troubled sleep, he crooned a queer song. It was in the Ho-Nan dialect and intelligible to himself alone. "Shoa, the evil woman (he chanted), the woman of many strange loves.... Shoa, the ghoul.... Lo, the Yellow River leaps forth from the nostrils of the mountain god.... Shoa, the betrayer of men.... Blood is on her brow. Lo, the betrayer is betrayed. Death sits at her elbow. See, the Yellow River bears a corpse
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