the Piazza you come down the Via di San Donato and
into the Piazza of that name, where for over nine centuries the church of
San Donato has faced the sun and the weather. From there Christopher's
young feet would follow the winding Via di San Bernato, a street also
inhabited by craftsmen and workers in wood and metal; and at the last
turn of it, a gash of blue between the two cliffwalls of houses, you see
the Mediterranean.

Here, then, between the narrow little house by the Gate and the clamour
and business of the sea-front, our Christopher's feet carried him daily
during some part of his childish life. What else he did, what he thought
and felt, what little reflections he had, are but matters of conjecture.
Genoa will tell you nothing more. You may walk over the very spot where
he was born; you may unconsciously tread in the track of his vanished
feet; you may wander about the wharves of the city, and see the ships
loading and unloading--different ships, but still trafficking in
commodities not greatly different from those of his day; you may climb
the heights behind Genoa, and look out upon the great curving Gulf from
Porto Fino to where the Cape of the western Riviera dips into the sea;
you may walk along the coast to Savona, where Domenico had one of his
many habitations, where he kept the tavern, and whither Christopher's
young feet must also have walked; and you may come back and search again
in the harbour, from the old Mole and the Bank of St. George to where the
port and quays stretch away to the medley of sailing-ships and steamers;
but you will not find any sign or trace of Christopher. No echo of the
little voice that shrilled in the narrow street sounds in the Vico
Dritto; the houses stand gaunt and straight, with a brilliant strip of
blue sky between their roofs and the cool street beneath; but they give
you nothing of what you seek. If you see a little figure running towards
you in a blue smock, the head fair-haired, the face blue-eyed and a
little freckled with the strong sunshine, it is not a real figure; it is
a child of your dreams and a ghost of the past. You may chase him while
he runs about the wharves and stumbles over the ropes, but you will never
catch him. He runs before you, zigzagging over the cobbles, up the sunny
street, into the narrow house; out again, running now towards the Duomo,
hiding in the porch of San Stefano, where the weavers held their
meetings; back again along the whar