r's
consciousness; and having brought the reader face to face with the
character he desires to portray, leaves the reader to make his own
acquaintance with the character. The indirect method is of course more
difficult, and, when successfully employed, is more artistic, than
the direct method. But seldom is either used to the exclusion of the
other; and it would be possible to illustrate by successive quotations
from any first-rate novel, like "The Egoist" for example, how the same
characteristics are portrayed first by the one and then by the other
method.
And each of the two methods shows itself in many different phases.
There are several distinct ways of delineating character directly,
and also several distinct means of indirect delineation. It is perhaps
serviceable for the purposes of study to distinguish them somewhat
sharply one from another; but it must always be remembered that the
masters of fiction usually employ a commingling of them all, without
conscious awareness of any critical distinction between them. Bearing
this ever in mind, let us venture on a critical examination of some
of the most frequently recurrent phases, first, of the direct, and
secondly, of the indirect method.
The most obvious, and at the same time the most elementary, means
of direct portrayal is by a deliberate expository statement of the
leading traits of the character to be portrayed. Thus, at the outset
of "The Vicar of Wakefield," the author, writing in the person of the
Vicar, thus expounds the traits of Mrs. Primrose:--
"I was ever of opinion, that the honest man who married and brought
up a large family, did more service than he who continued single, and
only talked of population. From this motive, I had scarce taken orders
a year before I began to think seriously of matrimony, and chose my
wife as she did her wedding-gown, not for a fine glossy surface,
but such qualities as would wear well. To do her justice, she was
a good-natured notable woman; and as for breeding, there were few
country ladies who could show more. She could read any English book
without much spelling; but for pickling, preserving, and cookery,
none could excel her. She prided herself also upon being an excellent
contriver in housekeeping; though I could never find that we grew
richer with all her contrivances."
This elementary means of portrayal has the obvious advantage of
succinctness. The reader is told at once, and with a fair measure of
compl
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