ilip, a splendid spout of little cups
and colds, a splendid big stir, a splendid glass, a splendid little
splinter, a splendid cluster.

_Single Witnesses._

(4). Why should wet be that and cut, cut with the grass, why should wet
be that and clut with the purse, why should wet be wet and the wet that
wet. Why should wet be the time to class. Why should there be solemn
cuppings.

The lean bark, that is the round and intense and common stop and in
shouting, the left bark and the right bark and a belt, in that belt, in
no belt and a corset, in a belt and chores, in a belt and single
stitches, in more boys than enough, in all thin beer and in all such
eggs, in all the pile and in all the bread, in the bread, in the bread,
in the condition of pretty nearly saying that yesterday is today, and
tomorrow, tomorrow is yesterday. The whole swindle is in short cake and
choice cake is white cake and white cake is sponge cake and sponge cake
is butter.

_House to house._

(1). A habit that is not left by always screaming, a habit that is
similar to the one that made quiet quite quiet and made the whole plain
show dust and white birds and little plaintive drops of water, a habit
which brightened the returning butter fly and the yellow weed and even
tumbling, the habit which made a well choose the bottom and refuses all
chances to change, the habit that cut in two whatever was for the use of
the same number, the habit which credited a long touch with raising the
table and the hour glass and even eye glasses and plenty of milk, the
habit which made a little piece of cheese wholesome and darkness bitter
and clanging a simple way to be solemn, a habit which has the best
situation and nearly all the day break and the darkness a habit that is
cautious and serious and strange and violent and even a little
disturbed, a habit which is better than almost anything, a habit that is
so little irritating, so wondering and so unlikely is not more difficult
than every other.

(2). A change a real change is made by a piece, by any piece by a whole
mixture of words and likenesses and whole outlines and ranges, a change
is a butt and a wagon and an institution, a change is a sweetness and a
leaning and a bundle, a change is no touch and buzzing and cruelty, a
change is no darkness and swinging and highness, a change is no season
and winter and leaving, a change is no stage and blister and column, a
change is no black and silver and copper, a cha