FREE BOOKS

Author's List




PREV.   NEXT  
|<   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39  
40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   >>  
p paper and tear it at the fold, it will tear easily; but if you do the same thing with paper made of linen and cotton, you will find it decidedly tough. Moreover, if you look closely at the torn edge of the latter, you will see the fibers clearly. It is because of the beating that the fibers are so matted together and thus make the paper tough. While the pulp is in the beater, the manufacturer puts in the coloring matter, if he wishes it to be tinted blue or rose or lavender or any other color. No one would guess that this white or creamy or azure liquid had ever been the dirty rags that came into the mill and were sorted on the wire tables. Besides the coloring, a "filler" is usually added at this time, such as kaolin, the fine clay of which china is made. This fills the pores and gives a smoother surface to the finished paper--a good thing if too much is not put in. A little sizing is also added, made of rosin. Save for this sizing, ink would sink into even the finished paper as it does into blotting paper. After this, more water is added to the pulp and it is run into tanks. Now the preparation is completed, and the pulp is pumped to large and complicated machines which undertake to make it into paper. It first flows through screens which are shaken all the while as if they were trembling. This shaking lets the liquid and the finer fibers through, but holds back the little lumps, if any remain after all the beating and straining and cutting that it has had. The pulp flows upon an endless wire screen. Rubber straps at the sides keep it in, but the extra water drops through the meshes. The pulp is flowing onward, and so the tiny fibers would naturally straighten out and flow with it, like sticks in a river; but the wire screen is kept shaking sideways, and this helps the fibers to interlace, and the paper becomes nearly as strong one way as the other. If you hold a sheet of paper up to the light, it will show plainly what is next done to it. Sometimes you can see that it is marked by light parallel lines running across it close together, and crossed by other and stouter lines an inch or two apart. Sometimes the name of the paper or that of the manufacturer is marked in the same way by letters lighter than the rest of the sheet. Sometimes the paper is plain with no markings whatever. This difference is made by what is called the "dandy," a cylinder covered with wire. For the first, or "laid" paper, the small wires r
PREV.   NEXT  
|<   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39  
40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   >>  



Top keywords:

fibers

 

Sometimes

 

liquid

 

marked

 
screen
 

shaking

 

finished

 

sizing

 

beating

 

manufacturer


coloring

 

straighten

 

naturally

 
strong
 
interlace
 
sticks
 

sideways

 

meshes

 

straining

 

cutting


decidedly

 

remain

 

flowing

 
straps
 

endless

 

cotton

 
Rubber
 
onward
 

markings

 
letters

lighter
 

difference

 
called
 

cylinder

 
covered
 

easily

 

plainly

 
crossed
 

stouter

 

parallel


running

 
shaken
 

tables

 

Besides

 
filler
 

sorted

 

matted

 

kaolin

 
lavender
 

matter