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XXVIII AN INTERVIEW 237 XXIX NIGEL AND MARY 245 XXX MISS BELVOIR 256 XXXI MARY'S PLAN 263 XXXII PRIVATE FIREWORKS AT THE PICKERINGS' 267 XXXIII NIGEL ABROAD 284 XXXIV MOONA 289 XXXV TWO WOMEN 300 XXXVI PLAIN SAILING 313 CHAPTER I EXCUSES Poor Madeline came into the room a little flustered and hustled, with papers in her muff. She found Bertha looking lovely and serene as usual. Madeline Irwin was a modern-looking girl of twenty-three; tall, thin, smart and just the right shape; not pretty, but very sympathetic, with thick dark hair and strongly marked eyebrows, a rather long and narrow face, delicately modelled, a clear white complexion, and soft, sincere brown eyes. Bertha--Mrs. Percy Kellynch--was known as a beauty. She was indeed improbably pretty, small, plump and very fair, with soft golden hair that was silky and yet fluffy, perfectly regular little features, and a kind of infantine sweetness, combined with an almost incredible cleverness that was curious and fascinating. She was of a type remote equally from the fashion-plate and the suffragette, and was so physically attractive that one could hardly be near her without longing to put out a finger and touch her soft, fair face or her soft hair; as one would like to touch a kitten or a pretty child. And yet one felt that it would not be an entirely safe thing to do; like the child or the kitten she might scratch or run away. But it is probable that a large average of her acquaintance had been weak enough--or strong enough--to give way to the temptation and take the risk. This charming little creature sat in a room furnished in clear, pale colours--that was pink, white and blonde like herself. Madeline sat down without greeting her, saying in a scolding voice, as she rustled a letter: "He's refused again ... more excuses ... always, always excuses!" "Well, all the better; excuses are a form of compliment. I'd far rather have a lot of apology and attenuation than utter coolness," said Bertha consolingly. She had a low, even voice, and rarely made a gesture. Her animation was all in her eyes. They were long, bluish-grey, with dark lashe
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