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The Project Gutenberg eBook, The Silent Isle, by Arthur Christopher Benson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Silent Isle Author: Arthur Christopher Benson Release Date: April 5, 2004 [eBook #11911] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE SILENT ISLE*** E-text prepared by the Internet Archive Million Book Project, papeters, and the Project Gutenberg Online Distributed Proofreading Team THE SILENT ISLE BY ARTHUR CHRISTOPHER BENSON Fellow of Magdalene College, Cambridge 1913 Nec prohibui cor meum. To PERCY LUBBOCK INTRODUCTION There are two ways of recording and communicating to others an impression, say, of a building or a place. One way is to sit down at a definite point, and make an elaborate picture. It is thus perhaps that one grasps the artistic significance and unity of the object best; one sees it in a chosen light of noon or eve; one feels its dominant emotion, its harmony of proportion and outline. Or else one may wander about and take sketches of it from a dozen different points of view, record little delicacies of detail, tiny whims and irregularities; and thus one learns more of the variety and humours of the place, its gestures and irritabilities, its failures of purpose or design. The question is whether you like a thing idealised or realised. As to the different methods of interpretation, they can hardly be compared or subordinated. An artist does not choose his method, because his method is himself. The book that follows is an attempt, or rather a hundred attempts, to sketch some of the details of life, seen from a simple plane enough, and with no desire to conform it to a theory, or to find anything very definite in it, or to omit anything because it did not fit in with prejudices or predilections. The only unity of mood which it reflects is the unity of purpose which comes from a decision. I had chosen a life which seemed to me then to be wholesome, temperate, and simple, in exchange for a life that was complicated, restless, and mechanical. The choice was not in the least a revolt against conventions; it was only the result of a deliberate belief
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