s, all the weary days of failure, all the misery of conscious
incompleteness, all the agony of soul these were but means to the end,
and so inseparably bound up with the end that they were no more evil,
but good, their darkness over flooded with the light of the work
achieved.

Raeburn, coming into the room, saw what she was looking at, and turned
away. Little as he could understand her thoughts, he was not the sort
of man to wound unnecessarily one who differed from him. His words in
public were sharp and uncompromising; in debate he did not much care how
he hit as long as he hit hard. But, apart from the excitement of
such sword play, he was, when convinced that his hearers were honest
Christians, genuinely sorry to give them pain.

Erica found him looking at a Sevres china vase in which he could not by
any possibility have been interested.

"I feel Mr. Ruskin's wrathful eye upon me," she said, laughing. "Now
after spending all that time before a Carlo Dolci, we must really go
to the Uffizzi and look at Botticelli's 'Fortitude'. Brian and I nearly
quarreled over it the last time we were there."

So they wandered away together through the long galleries, Erica
pointing out her favorite pictures and hearing his opinion about them.
And indeed Raeburn was as good a companion as could be wished for in a
picture gallery. The intense development of the critical faculty, which
had really been the bane of his existence, came here to his aid for he
had a quick eye for all that was beautiful both in art and nature, and
wonderfully keen powers of observation. The refreshment, too, of leaving
for a moment his life of excessive toil was great; Erica hoped that he
really did find the day, for once, "unmitigated pleasure."

They went to Santa Croce, they walked through the crowded market, they
had a merry dispute about ascending the campanile.

"Just this one you really must let me try," said Erica, "they say it is
very easy."

"To people without spines perhaps it may be," said Raeburn.

"But think of the view from the top," said Erica, "and it really won't
hurt me. Now, padre mio, I'm sure it's for the greatest happiness of the
greatest number that I should go up!"

"It's the old story," said Raeburn, smiling,

'Vain is the hope, by any force or skill,
To stem the current of a woman's will;
For if she will, she will, you may depend on't,
And if she won't, she won't, and there's an end on't.'

Howeve