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tualism. Early in 1885 a tall and well-built young woman named Lulu Hurst, also known as the "Georgia magnetic girl," gave exhibitions in the eastern cities which equaled or exceeded the greatest feats of the Spiritualists. On her arrival in Washington invitations were sent to a number of our prominent scientific men to witness a private exhibition which she gave in advance of her public appearance. I was not present, but some who attended were so struck by her performance that they arranged to have another exhibition in Dr. Graham Bell's laboratory. I can give the best idea of the case if I begin with an account of the performance as given by the eye-witnesses at the first trial. We must remember that this was not the account of mere wonder-seekers, but of trained scientific men. Their account was in substance this:-- A light rod was firmly held in the hands of the tallest and most muscular of the spectators. Miss Lulu had only to touch the rod with her fingers when it would begin to go through the most extraordinary manoeuvres. It jerked the holder around the room with a power he was unable to resist, and finally threw him down into a corner completely discomfited. Another spectator was then asked to take hold of the rod, and Miss Lulu extended her arms and touched each end with the tip of her finger. Immediately the rod began to whirl around on its central axis with such force that the skin was nearly taken off the holder's hands in his efforts to stop it. A heavy man being seated in a chair, man and chair were lifted up by the fair performer placing her hands against the sides. To substantiate the claim that she herself exerted no force, chair and man were lifted without her touching the chair at all. The sitter was asked to put his hands under the chair; the performer put her hands around and under his in such a way that it was impossible for her to exert any force on the chair except through his hands. The chair at once lifted him up without her exerting any pressure other than the touch upon his hands. Several men were then invited to hold the chair still. The performer then began to deftly touch it with her finger, when the chair again began to jump about in spite of the efforts of three or four men to hold it down. A straw hat being laid upon a table crown downwards, she laid her extended hands over it. It was lifted up by what seemed an attractive force similar to that of a magnet upon an
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