So they get nearer the sense of the season,
which runs early or late according as the rains are forward or delayed.
But whenever Seyavi cut willows for baskets was always a golden time,
and the soul of the weather went into the wood. If you had ever owned
one of Seyavi's golden russet cooking bowls with the pattern of plumed
quail, you would understand all this without saying anything.

Before Seyavi made baskets for the satisfaction of desire,--for that is
a house-bred theory of art that makes anything more of it,--she danced
and dressed her hair. In those days, when the spring was at flood and
the blood pricked to the mating fever, the maids chose their flowers,
wreathed themselves, and danced in the twilights, young desire crying
out to young desire. They sang what the heart prompted, what the flower
expressed, what boded in the mating weather.

"And what flower did you wear, Seyavi?"

"I, ah,--the white flower of twining (clematis), on my body and my hair,
and so I sang:--

"I am the white flower of twining,
Little white flower by the river,
Oh, flower that twines close by the river;
Oh, trembling flower!
So trembles the maiden heart."

So sang Seyavi of the campoodie before she made baskets, and in her
later days laid her arms upon her knees and laughed in them at the
recollection. But it was not often she would say so much, never
understanding the keen hunger I had for bits of lore and the "fool talk"
of her people. She had fed her young son with meadowlarks' tongues, to
make him quick of speech; but in late years was loath to admit it,
though she had come through the period of unfaith in the lore of the
clan with a fine appreciation of its beauty and significance.

"What good will your dead get, Seyavi, of the baskets you burn?" said I,
coveting them for my own collection.

Thus Seyavi, "As much good as yours of the flowers you strew."

Oppapago looks on Waban, and Waban on Coso and the Bitter Lake, and the
campoodie looks on these three; and more, it sees the beginning of winds
along the foot of Coso, the gathering of clouds behind the high ridges,
the spring flush, the soft spread of wild almond bloom on the mesa.
These first, you understand, are the Paiute's walls, the other his
furnishings. Not the wattled hut is his home, but the land, the winds,
the hill front, the stream.

These he cannot duplicate at any furbisher's shop as you who live within
doors, who, if your purs